“Rock-a-bye, baby, rock-a-bye”

Harlem World’s 1999 album The Movement was split between tracks that reflected the polarizing times. For every glittery track on the album, cross-wise there stood a bloody, gutter-dwelling antagonist like “100 Shiesty’s” and the vis-á-vis booth battle of “Pointing Fingers.” Read the rest of this entry »

On my word, Mase was a blessing and curse for his Harlem World experiment.

One side of the argument says he gave them the necessary star-power to even be noticed in a crowded rap world. But the stronger argument says, the Bad Boy affiliation handicapped them. Too much Read the rest of this entry »