Nineteen minute sampler of Cube’s upcoming album, Raw Footage.

the final order for the snippet.
1. It Takes A Nation
2. I Got My Locs On
3. Do Ya Thang
4. Hood Mentality
5. Here He Come
6. Why Me?
7. Get Use To It
8. Jack N the Box
9. Gangsta Rap Made Me Do It
10. Thank God
11. Tomorrow

Ice Cube Raw Footage (Download Sampler)

Props to BM for shootin’ the link through.

“I’m here today because Dr. Dre gave me a chance to be somebody,” said The Game when he took the mic at his listening party in Santa Monica. “Who’s Game? It’s me… I’m here, I’m naked, I’m real as shit, I’m rich, I got my album.”

An hour earlier, Game had pulled up to The Thom Thom Club for the first industry listening of his forthcoming L.A.X. album in a midnight Bentley with a crimson logo and matching rims. Through the grandeur of an uber-exclusive list at a door surrounded by secret-service-like security, Game’s entrance was lined with a touch of welcome humility from behind the wheel of his whip. He wasn’t just some Hollywood goods being carted around, Maybach-style.

The air in the club was kinetic with artists and industry stiffs milling about with drinks, and pressing each other, “So, where are you going after this?” With BET Award weekend in full swing, the early portion of the night was a palpable networking web.

Then Game took the stage, and the room fell silent.

“I’m here today because Dr. Dre gave me a chance to be somebody,” he addressed the crowd. “And 50… I appreciate homie. We had our beef, but we both alive. We ain’t no Biggie and Pac.”

Game talked about his early days in the studio with Dre and what it felt like to earn his first $1-million, adding he wished that euphoria was lasting. Now, with two wildly successful albums under his belt in The Documentary and Doctor’s Advocate, Game is preparing for a summer release of L.A.X.

“I don’t care if you don’t like [the album,]” he said. “I spent every day in 2008 working on it. Super Bowl, Finals… I was in the studio.”

With that warning, the DJ launched the record with a rough DMX intro entwined with mournful keys and heavy bass – a throwback heater indicative of what was to come. The next cut, “State Of Emergency,” was tempered-steel synth, featuring Ice Cube on a reminiscent hook “Fuck the 5-0/ They wanna see you D-O-A/ in L.A.” and Game spitting on swap meets, white tees, palm trees, crack heads, Tec-9s and jheri curls. With further tracks titled ” California Sunshine” and “Red Magic” and production from the likes of Read the rest of this entry »