Return Of Blizzard Man On SNL

11.23.08 Written by LC Weber

TSS extended family member Jaycee was on SNL last night, backing Ludacris on the Tim McGraw hosted episode. Read the rest of this entry »

13 Comments CATEGORY: AUDIO, MUSIC, SMOKE BREAK, STRAY SHOTS, TV/Movies | TAGS: , , ,

VA-Don Cannon, Jaycee And Gene Brown – Sample Clearance

06.21.08 Written by Gotty™

I had to up this joint for Trackstar & a project he’s working so I figured I’d share with you all as well.

Don Cannon Album Art

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26 Comments CATEGORY: GENERAL, MUSIC, STRAY SHOTS | TAGS: , , , , ,

Reconstructing Pizza At Primo’s With DJ Jaycee

04.22.08 Written by TSSCrew

“A DJ Premier mix tape of B-sides, remixes, samples and forgotten tracks? Why not… This was easily one of the best hip-hop mix tapes released last year. I still don’t understand how people slept on this.” – DJ Soul

Can someone DJ for Luda, be a member of DJ Drama’s crew the Aphilliates and be a diehard DJ Premier fan at the same time? Just ask Jaycee, the musical mastermind behind one of 2007′s finest mix tapes, Pizza At Primo’s. Jay, who took a long hiatus from mixtapes after getting burned out on the game in the late 90′s, has come back to the mixtape world with a vengeance in recent months. Since this years NBA All-Star break, he has been dropping tapes on the regular and we’re not talking about run of the mill pause joints they sell at your neighborhood bodega. When you bump a Jaycee tape you can expect blends, cuts, mixing, doubling up, and all the other freshness that you used to get when you copped a mix tape.

While Jay has been busy dropping many hot tapes as of late, his Premier mixtape may be his crown jewel. Spanning 56 tracks and featuring many underappreciated Primo songs and original samples, Pizza At Primo’s plays more like a true fan appreciation tape than a greatest hits compilation. It shows Jay’s in depth knowledge of Primo’s extensive body of work as well as his understanding of the music he chose for the mix. The tape is cleverly laid out so that many of the tracks flow together in more ways than tempo. Songs that sample one another are often played side by side while Jay also shows his digging knowledge by exposing several Premier sample sources. There is a perfect mix of skill display and letting the tracks breathe at the appropriate time, making for the most unique and enjoyable Premier mix tape to date. Luckily for TSS Crew’s DJ Sorce-1, he was able to catch up with Jaycee, hot off of his appearance with Luda at Northeastern’s spring concert, to discuss to conception and creation of Pizza…. Peep the technique as Jaycee gives an up close look at the ingredients that helped make this Reconstruction classic.

TSS: Do you remember the first Premier track you ever heard?

Jaycee: I would have to say it was “Positivity”. I used to watch Rap City back in the day when they had Chris Thomas, The Mayor (Laughs). They used to play “Positivity” a lot and I thought it was a cool record. I liked the sound of it. That record put me on alert to be aware of Gang Starr. Aside from the beat being so dope, I liked Premier’s scratches on the hook. His cuts are so rhythmic and I loved the way he broke down the phrases in the samples he scratched. From a technical standpoint the cuts weren’t that difficult, but he made them sound great. They were simple, but them shits were funky.

In terms of albums, the very first Gang Starr album, No More Mr. Nice Guy, was kind of hard to find in Atlanta. I’ve never had that album in my collection to be honest. I’ve seen it over the years, but I was always more concerned with buying other stuff. It wasn’t a priority record. To this day I don’t own it, and that would probably piss a lot of DJ Premier heads off.

When Step Into The Arena came out, I bought that shit immediately. I studied all of the beats on it and what impressed me about Premier’s production was that his stuff was clean sounding, but he could also flip and do some really gritty shit. If you listen to “Step Into The Arena”, that song sounds kinda clean. You can hear the high hats and the 808′s. But then on a cut like “Precisely The Right Rhymes,” which utilized “The Brethren” sample and something else that I’m not familiar with…that shit was just dope. It sounded real dirty. You could tell Premier’s production was evolving at that point. By the time Daily Operation came out, it was just like “Aww damn.” I can say that other than The Bomb Squad, Premier was my favorite producer at that time. This was around ’92.

TSS: Have you ever met DJ Premier?

Jaycee: I actually got to meet Premier sometime around ’92. I was part of a group that will remain nameless (Laughs). We put a nice lil’ demo together and hooked up with a promoter who was bringing Gang Starr to town for a show. Read the rest of this entry »

54 Comments CATEGORY: GENERAL, INTERVIEWS, Reconstruction | TAGS: , , ,

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