Shawn Jackson is the best of both worlds — he’s laid back like the flow of his West Coast home, and raps with the flare of his East Coast roots; he’s unendingly cordial and friendly, and gully to the tune of a menacing gaze and air of someone who’d fuck you up; he bends beats to the will of his rhymes, and has the golden ear of classically trained musician.
With more glowing cosigns than you could shake a major label at, Shawn Jackson might just be Hip-Hop’s best kept secret. Blu named him as “The Future of Hip-Hop” in XXL, House Shoes will vouch for him as fast as for Guilty Simpson or any other family, and when Shawn first met Like from Pac Div, Like said in true fan fashion “You don’t understand, I have all of your music on my iPod.”
Without question, Shawn Jackson is one of the only rappers left standing who keeps me interested in Hip-Hop. There’s no pretense about him — he’s willing to smile and laugh when most industry folks stand on the sidelines baring near comical mean mugs. With Shawn’s deep understanding of how to make any beat his own, consider this look at his Fave Five a spin-off of the Beat Maker Series.
Bill Withers – +’justments
“It was an emotional album — the first album I respected top to bottom just based on pure emotion. It’s like a beautiful sounding album, too. I didn’t know Bill could sing. I think that was the first time I really respected a guy’s voice. Like he was definitely a manly dude, I’m not saying he was soft or nothing like that, but his voice just sounded crazy angelic. [Laughs] It’s just a dope record even to this day. I went out and bought a turntable just so I could play that record. I didn’t even have one when I had my records out. I had to go to a yard sale — I bought me an $8 table just Read the rest of this entry »



