
Rock music lost its identity over the past decade somewhere between The White Stripes and Nickelback.
In the past 10 years, bands such as The Strokes, Kings of Leon and The Stripes (not so much Nickelback) have made worthwhile cases. Unfortunately, all have either A.) disbanded and/or B.) strayed from the simple, dirty aesthetics that made them great in the first place. In that decade Akron’s The Black Keys has varied slightly in sound (from modernized Delta blues to experimental Zeppelin-esque R&B) but has remained the only noticeable constant. Read the rest of this entry »