“Government funds fill my city up with guns and drugs”
This one should be familiar to our audience since it’s one Freddie debuted @ Highline and a few folks kept hittin’ me for the mp3. In a definite strategic change of pace, Gibbs drops a radio version of a song. In my opinion, not a bad move @ all because at a certain juncture, artists have to venture off the internet and make a strong showing for themselves in other arenas. The tough part is an artist like Freddie gets unfairly pigeonholed by his subject matter — which is often street-orientated, true enough. If he’s rappin’ about blunts, guns and cursing, there can’t be anything worthwhile there, right? What naysayers miss is that he’s shown the versatility to craft songs of varying tempos and topics. I don’t think I actually realized it until he practically ran away with his feature spot on Mike Posner’s “Bring Me Down” with not a curse word in sight and enough wordplay to arouse the dead. Having listened to my fair of his catalog, there’s a library’s worth of variety just waiting, yet none of it is technically a radio hit.
What we have in “The Ghetto” is an opportunity for radio to broadcast a song that’s listenable, lyrical and has tinges of awareness, the final component being virtually nonexistent on Clear Channel these days. The easiest comparison, at least in my eyes, is seeing Freddie in the same vein as Pac. Many of his best, more memorable songs were not conventional in any sense. An ode to an addict mother? Teenage pregnacy? “Keep Your Head Up?” Not exactly run of the mill, nevertheless they connected with audiences because held sentiments & an authenticity that couldn’t be denied. Can you find their equivalent on the air today?
On my local station, there are only fallacies and fantasies – bottle poppin’, dancing and constant sexual foreplay with no climax. All of which make it easy to avoid, unless they opt-in with a balance that reflects our grounded reality. Yet many of our better artists literally have to fight and to get their music heard on the radio waves. Remember the uproar it took to get DJ Enuff to play “Exhibit C” on NYC radio? Heard about Trae’s plight in his Houston hometown? If you’ve ever been anywhere “Exhibit C” is played, you know the effect it has on crowds. Trae’s not just an artist; the guy has a day named after him in Houston due to his overwhelming involvement in the community.
When I received “The Ghetto” in my inbox, it was a summons, a call to arms. If you know a DJ, make sure to pass them this song. We all owe it to future of rap…and to radio.
Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser.
Download — Freddie Gibbs – “The Ghetto” (Clean)


me likes. Can’t go wrong with this beat. “Put Em on Big L, Put em on!”
been waiting on this since highline… need the dirty version though, something about gibbs ain’t meant to be edited…
Awesome post, Gotty. TSS has been steady with great writing lately.
If my CD deck goes out on me, I’d rather listen to silence than whatever bullshit they’re allowing on the radio. That Enuff blog post is pathetic – did dude REALLY need to ask whether or not he should play a record like that? Jesus.
Can’t wait to check out this song when I get home, Gangsta Gibbs is the truth. I sort-of agree with Gz Up, though, I’m a bit sad to see some compromise from Freddie, hahaha.
damn this shit is real!!!!!!
damn gotty… those are some beautiful words right there…
true speak G.
cant wait to listen to this.
apparently Gibbs has a strip club anthem thats stored away for radio that is supposed to be a hit. “I know its a hit” were his exact words.
i believe him.
don’t worry, there’s a dirty version hehe. believe that.
the ever classic 7 minute freestyle
gangsta gibbs!!
anybody got a link to the original where this beat came from the milkbone shit?
and on this beat…
Big L > Gibbs > jay Z
I guess this kinda brings me back to yesterdays convo. i just have a hard time crowning someone great before they really put out the material. song is dope dont get me wrong, hey the mixtapes might be really good too, but to say he is anywhere in the top 10 (or even compare him to Big L) kidna baffles me.
please someone younger and not jaded explain this thinking to me. hahaa
The diff b/w Freddie & Jay is that he’s maintaining his momentum, deal or no deal. And i’m pretty sure they have whatever options available to them but are still waiting on the one they think fits best. in the meanwhile, he’s “practicing.”
w/an upcoming tape w/Alchemist as well as another project, I think he’ll solidify his spot. It’s just a matter of a label backing him so he can release a retail joint and satisfy that last check on the list.
Is this an original production or just a Freestyle (and if it is) what beat is this over ???
A rookie in the game.
@Tap Out
its the old Milkbone beat
ill track still!
ive got 2 copies of this song its called 95′ part one and two freestyle and all 3 rappers killed
’95 freestyle*
or you could try keep it real by milkbone if thats the one yall are looking for
Gibbs is dope. Been bumpin’ his shit since Live From Gary. Hopefully, he’ll blow up
Gibbs has been killing it since he first came out. His full debut album will be big.
http://twitter.com/cameronking/status/1770953842
Peep the date.
Just sayin’.
considering what was done to this track by Big L (and JayZ, to a lesser extent), Freddie seriously pulled this one off [||]. Shit is pure dope
cbloom… freddie already has the the same if not more tracks than Big L had. He is an amazing artist that hearkens back to the old days of hip hop. i personally feel he is one of the best out today. That said, he is no Big L. Its not really fair to compare though because they are different generations of rappers. Big L was different when he came out, so is Gibbs, for different reasons. His subject matter is not new, but it is presented in an intelligent way. You can see he puts time, effort, and thought into his verses. Unlike Lil’ Lame (sometimes, more so recently) et. all.