Ladies rejoice! The hipster post-modern day rapper finally has a voice laced with estrogen in Kid Sister. Hailing from the Windy City that is Chicago, Melisa Young aims to prove she can make her mark on the rap game without being overly thuggish or bragging about any sort of vaginal voodoo. Her result? Successful in her own zany way due to her debut album Ultraviolet, which is a kaleidoscope of obscure, bubbly Pop with electro true-school flavor.
Ultraviolet immediately lives up to its name from start, proving to be a nonstop laser light show with frenzied intensity galore. Kid Sister’s strengths shine from beginning to end on “Right Hand Hi” as she affirms her affinity for the party and “Control,” a retro jam session, complete with break beats and soulsonic vibes supplied by XXXChange.
Other soundmen such as Brian Kennedy and executive producer DJ A-Trak appear to the be on the same page as Ultraviolet’s orchestration is mostly conducted in neon. Cee-Lo’s presence on “Daydreaming” adds an unprecedented element compared to rest of the album and stands out despite lacking the same momentum as the rest of the songs. Even the two-year-old “Pro Nails” (featuring Kanye West) still maintains its freshness up in the mix.
With so much florescent energy flowing through the album’s veins, the main controls tend to spiral haywire at times when Kid Sis’ eccentricities become the dominant focus. “Switch Board” meets the same fate of household appliances thrown in the bathtub as DJ-Gant-Man’s track goes completely bonkers in a matter of seconds. It’s En Vogue meets disco hall on “You Ain’t Really Down” as our heroine croons a 90′s b-girl ditty that’s cute but not quite that cool. And “54321″ sounds like it was counted off some random Madonna LP and into Kid Sister’s lap. The album’s tint could have stood to be tweaked just a bit for sanity sake’s.
Kid Sister may be too eclectic for most folks’ taste, which is O.K. from Ultraviolet’s standpoint. In time, experience and speed bumps will add some contrast to her radiant hues, but for now, it’s pleasing to see an artist bent on originality thrive in living color.
BONUS
Kid Sister – “Right Hand Hi” Video



would’ve been nice if she capitalized on her buzz from 2 years ago when that mani/pedi anthem came out
This album took so long to come out, and a lot of the featured tracks have been out for what seems like ages…
Is Jukin’ still alive let alone well?
I was hoping this would be better than what it is. “Pro Nails” is by far the best track on this ablum. Yeah… she would’ve sold a ton (by today’s standards) if she would’ve dropped within 3-4 months of that single.
@ Teef
“You got it dude!” ©Michelle Tanner – Full House
Big supporter of KS but not quite sure what happened with the record and why it took so long to drop. The reason why I bring up the aforementioned?
You are on an indie label – and your boyfriend’s label at that. YOU guys control your own release schedule.
Even I am baffled (and I know all about labels and the way things work).
Unless it has to do with Downtown Records… which then I can understand. Their affiliation with a certain label is questionable.
(Anyone from Downtown Records can holler at me about that one as it is not a diss… just speaking facts. But I know people catch feelings… even when it is the truth)
Love this girl! Such a cool chick, very creative music I must say. So I take it that I’ve heard most of the tracks if I were to buy this album???
it makes good party music
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ABC: Always Be Careful, DEF: Don’t Ever Forget (me), JKLM: Just Keep Loving Me, ZOPQRSTUVW: No other Person Quite Right Shall Treat U Very Well;- ur’s loving XYZ!