Q Tip’s Kamaal The Abstract was a concept album that served a mish-mash of jazz, soul, rock and rap across eleven tracks. It was shelved in 2001 while he was signed under Arista. Then the LP hit the internet a couple of years ago and you know how that goes; it got bootlegged to oblivion. Anyway, I’m not eligible to cast the first stone as it’s been sitting on my hard drive for a minute.
So when I heard that Tip was releasing the album in stores next week, I tried to figure out what good could come from it. Selling an album that got widely distributed for free online is beyond a hard sell. On top of that, album sales can’t do anything but decline these days. At that point I realized that there had to be some other incentive behind this move that preceded financial gain.
This video shows, in Q-Tip’s words, how quick support vanished for his experiment when it was supposed to be released. It fell under the usual trappings that other albums of a similar caliber face. It didn’t have a radio single and it sounded too different. So LA Reid decided to pull the plug.
My best guess is Tip was a strong proponent for his work and just wanted it’s final chapter to close in the form of a release. Therefore when he got the chance, he opted to give the LP a fair shake. Additionally, I’m gonna go out on a limb and suggest he figures he’ll tap the faithful indie crowd too as it’s not coming out on a major label. Tip seems more concerned about finally putting the album out and letting people hear it rather than first week sales.
So now I’ll pose this question to you all. Would you do the same thing if you were in the Abstract Poetic’s shoes?
As a bonus, XXL speaks with the Abstract about giving beats to Biggie and Jay-Z.
Kamaal The Abstract drops tomorrow, 9.15. If you haven’t heard it after all this time & want to keep it clear conscious, it’s available for preview @ Q-Tip’s Myspace.

I always liked this album… I been bumpin it since 06–that’s when i got my paws on it. I got into it with these snobby summabishes over at JazzTimes, namely the editor “Chris” and Mr. Stanley “I hate all black people under 50″ Crouch.
Besides not liking any black jazz musicians besides Byrd and Mingus, these a**holes were convinced that Diana Krall and Norah Jones are the only female jazz musicians worth acknowledging.
I got into one of the longest arguments with Crouch then the editor for a piece a wrote defending QTip’s excursion into Jazz. They weren’t judging the album, they were judging his right to even make the album.
Looking back, Kamaal’s not a “great” album—it’s more acid jazz/fun fusion than pure jazz. but it’s a fun listen even now from somebody who really appreciates the artform of jazz, even if he doesn’t have the chops to be great at it. It also shows you how talented Tip is.
and to this day screw JazzTimes and the jazz establishment which has been overrun by fake white liberals and pissy old black folks who think they’re just better than everybody else.
@ Black Canseco Yeah I wasn’t wowed when I first heard it but it’s not bad. It’s one of those albums that you have to prepare yourself for if you’re gonna run it back if you know what I mean. If anything, like you said, it was an Q-Tip’s attempt and making music outside the rap box he was in until that point.
Stuff like this makes me wonder what kind of sounds top hip hop producers work on that they know won’t get past their My Book.
yeah…i got my hands on this in 06 as well. shit is dope. now….the other QTip album that leaked, the one with that “That Sexy” song with 3000…that ish was horrid. im hoping he keeps that one to himself
I stumbled upon the album earlier this year and I’m definitely going to buy it.
there is nothing worse than a jazz elitist
Thank you Mark.
@ mark
Yup. Well pretty much any type of elitist is the worst.
@ Black Canseco
i hear ya man. you should check out thejazzindie and the new documentary “icons among us”