
It’s been 22 years since Blaq Poet first entered the rap game in 1987 when he infamously dissed KRS-One during the battle between the Bronx and Queens. Subsequently, he was relatively quiet up until the year 2000 when he linked with three of his fellow New York City rappers to form the Queensbridge collective Screwball. Eventually branching out on his own in 2006, BP is set the map out the game in his likeness with his sophomore effort Tha Blaqprint.
The predominately East Coast project is fifteen tracks deep with thirteen produced by the incomparable DJ Premier, which gives it an immediate boost in credibility for most rap fans even if they had never heard of the Queens native. As you can imagine, the landscape in which Premier provides for Poet is a smorgasbord of boom-bap drum patterns and scratched choruses that leaves Poet with plenty of room to make the statement he sees fit over a superb selection of beats.
Regrettably, Poet’s statements seem to be the same that were echoed through every 90’s Hip-Hop album coming out of NY. Coming out hard on the intro “I-Gittin,” Poet does a good job of introducing his raspy hardcore flow that he brings to the table with a bunch of boasts about how he “gets it in.” But for all the points he gained for the ferocity he brings on the opener, he loses once you get deeper into the album. The album’s centerpiece “Voices,” is noble attempt at spiraling down memory lane, but the mediocrity will swallow listeners whole by the second verse. Each song seems to blend together and his flow remained pretty stagnant over the not so diverse production of Premo that is designed to accentuate the rappers many styles which Poet seems to lack. See the stale “Stretch Marks And Cigarette Burns” with its droopy bass loops for further reference.
Tracks like “Ain’t Nuthin’ Changed” and “Rap Addiction” might wake you up from the slumber that the rest of the album provides, but making splashes on occasion isn’t enough to spark riots of past years. Overall it’s nice to hear so much Premier production in one place again, and while Tha Blaqprint may have BP’s uniqueness embedded into it, ultimately it’s the same layout as it was a decade ago.


Chris Brown with Kanye West’s on-and-off girlfriend Amber Rose.
Brown and Rose locked lips at the July 4 White Party thrown by Sean (Diddy) Combs and Ashton Kutcher in Beverly Hills, spies tell the Daily News.
Brown, 20, arrived at the party with singer Teyana Taylor, an 18-year-old Rihanna look-alike, but is said to have hooked up quickly with Rose.
“Diddy announced the deejay would do a tribute to Michael Jackson,” said a guest. “Chris did an amazing impression of Michael’s moonwalk. It wasn’t long before he was dancing with Amber.”
Later, as the party wound down, the pair nestled on a couch in the backyard of the Beverly Hills mansion.
“They were holding hands and making out in the shadows,” said a witness. “She had her hand on his leg.”
Taylor is said to have been irked by the amount of time Brown spent with Rose, but still accompanied him to an after-party at the club Guys.
There, Brown again got upclose and personal with Rose, who is 26.
“They were kissing on the dance floor in front of Teyana,” said a witness. “But he and Amber left separately.”
Some wondered whether the flagrant display was a defiant message both to Rihanna and West. Rihanna dumped Brown, who last month pleaded guilty to assaulting the Grammy winner.
West, who has said he was “devastated” by Brown’s attack on a woman who was like “my little sister,” has run hot and cold on Rose lately. Although he reportedly broke up with her last month, they came together at last week’s BET Awards show.
A rep for Brown had no comment. Reps for Rose and West couldn’t be reached.
damn premiere cant catch a break these days…
*rimshot*
*PAUSE*
Premo fell off?
Where was I when this happened???
I say ‘It was all a dream.’ ™Biggie
Dude is too good.
If you like 90s east coast hip-hop you’ll probably like this album, simple as that.
You can call it ‘stale’, and it’s not breaking new ground or changing the sonic landscape in any way, but it’s sort of refreshing to hear an album that isn’t trying to hop on every current bandwagon – a bounce beat here, an autotune there, some Dilla drum patterns, x amount of ‘name’ guests…
It’s all about the neck-breaking beats and gutter lyrics on this one.
Primo is MC selection is like NaS’s beat selection. I’ve got a great idea: Why don’t they do an album together?!?………………..what?……..like 5 years ago??………oh……. just sayin though.
@ don king
Honestly there’s albums and mixtapes of this nature dropping all the time. Not to call ‘em washed up but no way U can U be absent for an entire generation and try and pick up where U left off.
*looking @ U Raekwon*
lady gaga teta:
http://www.mooimage.com/images/qjvnl3tgczyrt4xtvgb6.jpg
Ri pasties:
http://img184.imagevenue.com/img.php?image=22729_r1_123_1066lo.jpg
http://img111.imagevenue.com/img.php?image=22730_r2_123_425lo.jpg
http://img164.imagevenue.com/img.php?image=22736_r3_123_74lo.jpg
http://www.cutiecentral.com/blog/wp-content/uploads/rihanna-fourth-of-july-01.jpg
@ chuck_you aka big herb
dont you realize that its Nas’ beat selection not Premo’s MC selection? Nas is on some dead prez other shit these days. Face the facts. Be grateful that this legend Premo is still puttin out music. young boy
if it’s not his tenth solo album, trust that will be his eleventh…
preemo/nas, for sure, that album will see the light of the day !
@ TC
I don’t know if artists like your Blaq Poets are trying to pick up where they left off though – There must be a level of acceptance on their part that their music is gonna do what it’s gonna do, they know they’re not touching platinum anytime soon – so why try to compete with the artists trying to get a million sales and time on the pop charts? They can run their own lane doing smaller numbers appealing to a core audience that wants to hear that type of music – even if it is a well worn formula….
There’s few sights as embarrassing as watching an aging rapper chase the youth market by latching themself to every bandwagon…two words….Fat Joe.
I think I missed the point I wanted to make initially – which was that if you judge this album as an example of someone doing that whole grimy 90s hip-hop, this is a good example of how an album representing that subgenre of rap should sound.
dont you realize that its Nas’ beat selection not Premo’s MC selection? Nas is on some dead prez other shit these days. Face the facts. Be grateful that this legend Premo is still puttin out music. young boy
—————————————————————————————————
Lets take a good look a Primo’s emcees.
Guru – Gang Starr>Guru
Jeru – Dope
Group Home – Suspect
Big Shug – Suspect
NYGz – Suspect
Blaq Poet – Suspect
NaS is the GOAT emcee to me but objectively, his beats after It was written fell off. He got knock here and there but I think the consencus is his beat selection is borderline at best.
^^^
Don’t forget Afu-Ra
Afu Ra – Dope
@ don king
I mean I’m not saying they set out be the top dogs or #1 on the Billboard but siding with the “if you’re a fan of the such & such era” argument isn’t revealing the entire scope. The fact that its appeal is only limited to a particular demographic puts limits on the overall value of the album — hence the 3 Cigs
I’m the biggest Primo apologist you’ll find, but he didn’t exactly cover himself in glory on this one. Maybe that’s because Po ain’t really that nice and Preme didn’t want to waste beats. The only memorable shit on the album is “Ain’t Nuttin Changed.”
The Group Home might be the worst rappers with some of the best production ever
Afu-Ra
iswas not dope. Only so many songs about tapping your nigga-chi one can take…@TRA
As you can imagine, the landscape in which Premier provides for Poet is a smorgasbord of boom-bap drum patterns and scratched choruses that leaves Poet with plenty of room to make the statement he sees fit over a superb selection of beats.
—-
Where you get that i said Premier fell off? lol
I think with the right MC this album could’ve been a 4 cig album based on beats.. But that’s just me..
@K1NG
Apologies my dude…
I do not know where I got that. Certainly was not from the review.
(Seriously)
Did someone erase/delete a comment or something?
Because if not…
My Minds Playing Tricks On Me ©Geto Boys
*Doo da doo da doo da doo doo da doo da doo da doo*
@TC
Nigga-Chi
still LMAO
@TC
I liked him Jeru’s album and he had some singles, can’t name any, so pound for pound, you might be right. That “futuristic lingustics”…joint was dope to me.
Theres really a generation gap when it comes to liking albums like this and maybe a cultural gap too. If u can get bored by Blaq Po’s lyrical subject matter that means gritty and street, are just adjectives you use in hiphop reviews not anything that really coincides with your life experience.Good for u.