TSS: Absolutely. Everybody was inspired by somebody.
Stat Quo: You know it. We have the power to birth to a whole ‘nother generation through the music. So why am I gonna sit back with what I call this fucking Hip-Hop sperm I got and not bust a nut all over the Internet with it! I gotta let this sperm fly! (Laughs)
TSS: (Laughs) Pause…
Stat Quo: (Laughs) Yeah but as far as the numbers and all that, fuck all that, it don’t even matter. I’ll tell you this: I say again. I only care about Hip-Hop. It’s allowed me to feed my family. It’s allowed people I have admired over the years to feed their families, and I want the shit to continue to grow. And I feel like when we just sit on music and we in position to make great shit and we don’t let the world hear it, we’re doing Hip-Hop a disservice and that’s not the way it’s supposed to be. Sometimes all the politics behind it and how much money it makes, that shit don’t fucking matter.
Sometimes it’s just all about the inspiration. We need inspiration in these fucked up times, dog! We need to hear some shit to make you go “ooooh!” Like when Dre put that Chronic or 2001 out. Or Eminem came with that Marshall Mathers LP. When 50 came with his shit! We need some inspirational music…and them niggas MAKE IT! They make it! Dr. Dre makes inspirational music and he made it with me. That’s all I’m saying.
TSS: So the whole “sitting” on the music thing. Is it a marketing strategy? Anyone who knows Dre’s work, knows he’ll bring it ten times outta ten.
Stat Quo: This is a different era than his last records and I just think it’s a fear of acceptance. “Will it tarnish the image that I’ve done?” That kind of thinking. And at the end of the day, he’s such a great producer and he built such an empire, he can afford to do that. He can afford not to put out music. I remember a long time ago, when I was getting ready to sign and I was sitting with Puff and he was asking about the process of us making music with Dre. And Puff was like “I can’t do it. I can’t afford to do that Stat, I gotta put my shit out!” (Laughs) So it’s a different mentality with Dre. Dre’s mentality is it may take me seven or eight years to make ‘em but I’m gonna give you twelve incredible records. In my opinion, which is the only one that matters, that’s the way I think it should go.
If you ask Stat Quo, Dre got 32,000 incredible records. That ain’t nobody ever gonna hear! But those 12 are the ones he chose to come out. You know as the last album [2001] he put out, there’s probably things on that record that he would change even after it dropped and people accepted it! He told me from his own mouth that he’ll put the music out and listen to for the first week or whatever, but after that, he don’t even listen to it anymore. He make so much fucking music; he’s the hardest working muthafucka I ever seen.
I’ma throw Eminem and 50 Cent in there too. So when someone asks me, how do I got so many songs, I watched and learned from them! They rich as fuck and all they do is go to the studio! So I was like, I’m gonna be like that! And when you look at Lil’ Wayne, his consistency and how much music he’s putting out, niggas be like “He gonna run out of rhymes.” No he’s not! Because the more you rap, the better you get. And the more he spit, the better he got. That’s how he’s on top.
But only thing I would change about Dre’s whole operation is, if I was him, I’d put out music consistently. Because he’d have it on smash, no question. He’s got it on smash without putting it out but it would be so ridiculous if he was dropping music. In my opinion, I think Hip-Hop would have went in a different direction if Dre was putting music out consistently.
TSS: Yeah, on the song “Go Ham” off the mixtape you said “My label tryin to noose me/but the Doctor gotta give give me freedom/I’m like Boosie/I-N-D-E…” You guys parted on good terms right?
Stat Quo: Yeahhhh! You know at the tail end of it, there were some things I didn’t like, mainly how long it took me to get out the deal. But at the end of the day, it’s all good. I have no ill feelings. Because I got the music! Like a scrapbook. Anytime I wanna reflect, I just go and get my hard drive and just think about all the great times and just listen to all that fucking music… cuz, I got so much!!! (Laughs)
TSS: Do you feel like the success of Get Rich Or Die Tryin’ set everybody up for unrealistic expectations according to the label?
Stat Quo: All man, 50 set such an incredible bar for anybody that was coming behind that. So it wasn’t that it was unrealistic, it was just a movement. I think had they put my album out, 3-4 years ago, the numbers would have been ridiculous. It was like a wave. They could have put out a blank CD and sold two million copies (Laughs) Anything they was doing, was electric. But that’s where that perfectionist in Dre comes in and it’s gotta be a certain way. And then time passes and you look up, it’s three, four years and that wave done died down. And now you need a fuckin’ smash. When you got like five different cooks in the kitchen, it’s kinda hard.
TSS: O.K. and like we agreed on beforehand, nobody’s saying that Stat isn’t capable. So what I’m basically asking is while we know the perfectionist situation of the label head, why not release a Stat Quo album in the meantime? Does it really take that much effort to do so?
Stat Quo: At this point, the powers that be, the people that fund these labels, in that situation…they want a Dr. Dre album, an Eminem album, a 50 Cent album. That’s what they want. And they should! They know those albums are gonna sell. And when it comes to the underlinks, Stat Quo being that, it’s not happening (Laughs) They want those albums! And me being down since 2003 and now it’s ’08… I can’t do it anymore. I can’t! I can’t sit around and just wait. Obie [Trice] put out a couple of albums, D-12 put out a couple, but me the only thing I ever put up that was in a store, was The Re-Up Album. But I’m grateful for that because some people don’t even get to do that much.
I consider myself one of the dopest motherfuckers to do this rap shit, word for word, line for line, song for song. I consider myself one of those cats because the people that are out here in the upper echelon of the tastemakers, when they have conversations on who can spit and all that, my name always come out and I don’t even have an album out. So that let’s me know right there, it ain’t just me thinking the shit, it is what it is. But my voice gots to be heard, I can’t sit around no longer, I got to let motherfuckers feel me baby!!!
TSS: (Laughs)
Stat Quo: Let me tell you man. It’s Amistad! They done gave me my free! My chains are gone, you understand me! Like I said in “The Sun,” I’m walking tall with my hand on my dick/and I answer to God and that’s it!” That’s it nigga! I answer to God only. Nobody’s tells me what to do, when to do it, how to do it. I’m going to do what the fuck I want to do. Period. And you know what my platform is? Anybody that will fucking listen!
TSS: O.K. Let’s look towards Stat’s future. Are you looking towards an indie label now or…
Stat Quo: Can I be honest with you? I’m not looking towards nothing. I’ma rap man. I’ma make music! When I first got my deal, I wasn’t out there actively chasing no deal. That’s not how I got on. I was putting music in the streets. And that’s what I’ma do. Put music in the streets and the internet. It’s like trying to look for a good woman. You don’t look, a good woman shows up. If you look for a good woman, you gonna find a fucked up bitch!
So yeah, people come to me about situations all the time. But while my lawyer handles all that shit, I’m just gonna make music. I want the respect that Face has when walks in a room as an artist. When Scarface walks in a room, niggas respect him! There ain’t nothing left to be said. What can you say besides he the greatest? Nah, he ain’t never sold 10 million records but fuck it! He can go anywhere he wants because he always stayed true to himself and made great fucking music and never tried to step outside of his shit. So yeah, I’m going to put a mixtape out every month and you gotta look up because some of them might have some unreleased shit on it. I’ma do one called 2010. You know flip the numbers from 2001 and make 2010. You never know man!
TSS: O.K. but what about the flipside? Are you worried about becoming a mixtape rapper?
Stat Quo: But me, I make money doing other things outside of music, so it’s not really me doing it to pay my bills. I do it because I love it. Before I met Dre and Em and all of them, I had houses and cars and shit. It’s not like I got with them and instantly got money. So anytime someone comes to me and be like “Yo Stat, you put some shit out and they sue and they’ll blackball you from the game…” Let me tell you something. (Laughs) You can’t blackball a child of God. What you gonna stop me from getting a check from music? I don’t need a music check nigga! This ain’t paying my bills man. I love Hip-Hop and everything about it. I love going into the booth and putting some shit out and hearing someone bang it while I’m driving. Then I look over and throw ‘em the deuces like “Ride nigga! I do it for y’all!” So as far as becoming a mixtape rapper… fuck it! It’s whatever. Because I’m going to put so much music out that motherfuckers is gonna be forced to do something about it.
TSS: Eventually somebody will take action.
Stat Quo: Yeah they gonna be forced! It ain’t too many people doing it. These niggas is reserving these rhymes. I guess they feel like they gonna run outta rhymes. But the more you rap, the better you get. To anyone out there that wanna do this shit: the more you sit your ass down and write and write and rap and record, the better you get at it. The more you make a beat, the better you get at it. The more you play basketball, sell a stock, whatever, the better you get. So all I do is write rhymes. And then, I write for other rappers and R&B artists! So I’m getting better each day.
TSS: So you stay busy even when you’re not visible, huh?
Stat Quo: Yeah man. I rode for five years. You think I don’t want nobody to hear this music and talent I got? I went in on mixtape after mixtape, interview after interview. From Switzerland to Finland. You think it don’t fuck with me when I walk down the street in Atlanta and a motherfucker be like “Where that album at?” And I know I got it at home, and it’s incredible. And the only reason it didn’t get put out is because we couldn’t agree on a single that we allll could agree on. There was never a song to force Interscope the spend the kind of money they needed to with everybody saying “This is it.”
TSS: But while were they are using the same model? Everybody’s not gonna make an “In Da Club” and at the same time, you don’t want that, cuz it would get boring.
Stat Quo: It’s just, when an artist puts a single out, you gotta know it’s associated with a record that costs money. They not just puttin’ a single out and it’s blowing up on it’s own. There’s a lot of behind-the-scenes shit that makes a single work and go. And if the powers that be are in a position to call the shots, if it’s not a certain way or everybody isn’t on the same page, it’s not going to work.
TSS: So besides the musical contributions, is there anything else that you want the people to know from the horse’s mouth?
Stat Quo: Man, I just want everybody to know that I appreciate you for fuckin’ with Stat Quo, and I read people’s comments and a lot of them are made at Dr. Dre. Yo, all that “fuck Dre,” that shit is unnecessary. He got his ways just like everyone else got their ways. It is what it is, shit happens, ya know? I hope, just like all the rest of you hope, he puts his album out, whichever one he decides to put out cuz he could release like 40 of ‘em. But a lot of times, we get on the computer and be like “fuck this or that person,” that shit ain’t cool. Because our families have to read that and it’s just not cool. That’s just something I wanted to put out there.
I know people think they can say whatever and nobody’s ever gonna see you for saying that shit but you say the wrong thing, and motherfuckers can find you with an email address (Laughs) But it’s not even worth it! Disrespecting a great man like Dr. Dre. You might not agree with a lot of things they did as a company when it comes to other artists such as myself but those are great organizations with great people and I don’t want anything I say to come off as derogatory because they my peoples regardless. From the motherfuckers they hire to take out the trash, to the motherfuckers they hire to whoop people’s ass.
TSS: (Laughs) Good one.
Stat Quo: But on the last, last note…long live Hip-Hop! They trying to phase us out and we can’t let them!
Look out for the The Bailout very soon. Here’s the first taste:
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Stat Quo Feat. Tiffany Villarreal – “Washed Away”
DOWNLOAD – The South Got Somethin’ To Say
Check for more on Stat Quo at www.myspace.com/statquo.


One of my favorite victims of the industry. Dude has been on the shelf longer than that can in the cupboard that has no label. Stat is nice & deserves a break. Whether it be with Aftermath or not remains to be seen. Anybody got his joint “Here We Go” (prod. by Dr. Dre)?
I’ve been assembling my own version of “StAtlanta” & I needs that one. A CDQ “Like Dat” would be cool too. Great intervu, TC.
eminem’s reup artists need to do a group, i think.
d12 iz dead. so a newest crew can be good.
cuz rappers want his own album, solo career
but now it’s hard in this industry. thus
maybe statquo, bishop, crooked i, max b
must to create that supa heroes
Justice league of Hiphop !!
P.S. The insight on Dre’s process is dope. Bout to re-read this mugg lol!
“Here We Go” was so crazy, I can imagine what kinda heat is just sitting in Dre’s vaults.
I feel for Stat cuz he was a loyal dude in a situation where most niggaz i.e. Peedi Crakk, would’ve throwing salt at their label heads and CEOs. Dude kept it classy and I respect that 100.
“And like I said, it’s not about no money. I don’t want no money. It ain’t about selling no albums…FUCK going platinum. Fuck all that shit. This ain’t about no money. Everything in life ain’t about a dollar. It’s not always about recognition. It’s about Hip-Hop. That’s what it’s about. It’s about that I love Hip-Hop music.”
He gets my support just from this statement
so let’s see, we have:
1. rakim
2. joell ortiz
4. busta rhymes
3. stat quo
..and i know i’m missing some others that went over to aftermath and weren’t allowed to live up to their potential.
damn dre. i know ur a perfectionist, but time is a-wasting while you over there taking ur sweet time with these artists. propst to stat getting off the label and moving his career forward. fuck waiting on dre…even if he will be missing out on some of those dope beats. unfortunately for dre, he’s not the only producer in the world!
True, but Dre got that work.
A Dre beat gets you instant attention & is the difference between going gold & going to the bargin bin. I don’t remember one artist who has failed with Dre behind the boards. It’s just by the time your project comes out, you’ll be lucky to have any kind of buzz left to accompany it. Bishop Lamont seems to have figured out the formula. Keep yourself hot in the streets & kiss Dre’s ass in the media. But then again, we’re still waiting on The Reformation.
IMPORTANT ANNOUNCEMENT:
“All white people are to report to the cotton field before daybreak.” – President Obama
dr dre keeps his Legend ! this dude doesn’t want a flop album with him on the board. flop (critically talkin’) cuz a gold album, iz a flop, for a multiplatinium producer! but u know what i mean. dr dre is maybe the only producer that can be platinium without a promo for his album. he puts tha shyt out, and the music talks and does the rest with people on virgin stores. i think this dude could great fucking great shyt with rakim. joell.
but he wants a big success too. he’s too perfectionist yea! but he’s not a real hiphop fan in his heart. money makes the world go round and dr dre’s head also. business iz well good BUT hiphop is way better…
[www.complex.com]
True, but Dre got that work.
===============
Where is this work though? In the often-talked about, but seldom heard from “vaults”?
I remember Bishop talking about Rakim’s unreleased album, 3 or 4 versions of Detox & a Bilal album totally produced by Dre as some of the gems in the vault. If Dre executive produces your project, you’re going gold, easy. I don’t have to hear the actual songs to know that Dre got heat. His track record speaks for itself & the few Dre productions I’ve heard in recent years (i.e “Imagine”, “30 Something”, “U Ain’t Goin’ Nowhere”, “Bitch I’m Back” etc.) have yet to disappoint. Dre’s only weakness is his anal attention to detail & his fear of tarnishing his legacy. The only way those vaults will get opened to the masses is if he drops dead.
I don’t buy this tarnishing legacy excuse, if that was the case he would continue to push back his own project while still putting out his other artist. His attention to detail and striving for perfection is commendable; but when you are stunting the growth of artist it becomes selfish. The only way any artist can grow is to perform their material, let the masses hear their work and get their feed back. Dre isnt the one who is going to purchase albums, its the fans. And as much heat Puffy takes for having ghost writers and ghost producers; Dr. Dre isn’t that much different. The last joint he produced totally by himself was a NWA album.
^Nah, I think he did all of The Chronic. And Dre is totally different from Puff. Dre actually has musical talent & has put out classic artist after classic artist. Diddy can’t even keep those Danity Kane jawns together.
TSS: (Laughs) Pause…
classy and classic.
His attention to detail and striving for perfection is commendable; but when you are stunting the growth of artist it becomes selfish.
========================
Agreed.
Amp you sat there & named off albums that fans are salivating to hear…but probably never will get the chance. That ain’t good for anybody.
But let me stop. I will not be characterized as a Dre detractor.
Amp:
While I won’t say the only thing seperating Puff from Dre is an inability to dance lol; the fact remains both have heavily used ghostwriters and ghostproducers. And for some reason while Puff gets knocked for it Dre is hailed as hip hop’s savior.(No East Coast/West Coast) LOL
His attention to detail and striving for perfection is commendable; but when you are stunting the growth of artist it becomes selfish.
========================
Agreed
============================
As much as I think the Doc is one of the illest, I gotta agree with the above statement. But I think it’s been obvious for years how much of a primadonna Dre is. We’ll just have to wait for Detox to drop to see if all the waiting was worth it.
@ Bigga
I think Puff caught alotta flack for straight sampling songs that were hits already. I guess alotta heads thought that it lacked creativity. I don’t agree, but that’s a whole ‘nother post lol. I think Dre is a prolific producer…it’s just that most of the ish he makes goes straight to the vault.
@Gotty
I dont have any problems being labled a Dre detractor. LOL
Now you can’t take away from the fact that the man is a gifted producer, but he gets way too much credit. It’s like people are so afraid of being labeled a hater, that they will follow what every one else is pushing. To be clear this isnt a Bash Dre event sponsored by the good people at Death Row *cough* Bankrupt*Cough*; lol Just one man’s opinion.
Way too much credit?
Dre is responsible for Snoop, Eminem, Fifty & “The” Game. Not just for signing them but for helping them become icons in Hip-Hop (well…maybe not Jayceon). If there was a Mount Rushmore of Hip-Hop, Dre’s face deserves to be up there.
If Dre’s face goes up there, please make sure to have Mel Man, Scott Storch and the other ghostproducers on his cheek like a bad Game tat. Cause when your support team starts to do the heavy lifting, they have become more than support.
If Dre’s face goes up there, please make sure to have Mel Man, Scott Storch and the other ghostproducers on his cheek like a bad Game tat.
===================================
LMAO!!
I’m not gonna even try to write a witty retort!
Biggga FTW!
bigga speaks nothing but the truth… and there will be no detox…
Dr. Dre sucks, period. I don’t know why he gets heralded as some super-producer; all his beats are generic and basic. Stat Quo doesn’t need him in todays hiphop climate because there are enough talented up&coming beat-makers who have waaaaaaay iller sounding beats than Dre. I know I’ll catch a backlash-wave but who the fucks cares.
Been fucking with Stat for yeeeeeaaaaaars since my cousin Tone put on when I went to ATL during undergrad.
I’m glad the boy walked with his music and his head up. Its Grind Time Now.
As Usual Gotty Good Shit The Smoking Section Is Major!