Jake One is a producer that harkens back to earlier days before multi-millionaire, beatmakers took over Hip-Hop. Not known for a signature sound or a fancy mixtape series, Jake One possesses a keen sense of what beats MCs will sound great over. The Seattle native drives this point home over 22 tracks with a diverse group of artists on his album, White Van Music.
It’s a shame that a Chameleon-based Hip-Hop name has already been taken, because the strength of White Van Music is Jake One’s ability to adapt to ever rapper that appears on the album. It really feels as though the producer constructed his beats specifically for each artist that contributes to the project. Freeway and Brother Ali’s collaboration, “The Truth,” is met with a sample heavy, soul beat that the MCs have built their respective careers around. M.O.P.’s “Gangsta Boy” has a haunting siren over dirty drums fitting their gritty personalities. “Glow” featuring Elzhi and Royce Da 5’9 (duet album, please!) utilizes a drum pattern straight out of Dilla’s playbook.
Each rapper seems to feel right at home over each track, allowing them to spit quality bars within their comfort zone as opposed to trying to adapt to an unfamiliar beat. MF DOOM makes a rare appearance (twice), but sounds like he hasn’t lost a step spitting his stream of consciousness flow over dark piano keys that would make Madvillain proud. Arguably the most natural fit comes from “Bless the Child” with Little Brother. Rapper Big Pooh shows his patented ability to ride the beat as Phonte offers more gems like “If life’s a bitch, I’m throwing this D on her like it was my Cadillac.”
Jake has done a substantial amount of work with Interscope artists in the last year or so and the big name MCs return the favor album. Unfortunately, star power for the tracklisting is the main contribution of the more famous collaborators. Young Buck’s “Dead Wrong” is obviously outdated (not to mention uninspired) as he shouts out G-Unit members he’s been beefing with all summer. Bishop Lamont barely shows up on “Kissin’ the Curb” sporting a hook from Busta that lacks the fire he’s been displaying this year. “Soil Raps” featuring Keak Da Sneak’s nonsensical and off-beat rhymes should simply be buried somewhere.
These missteps are easily overlooked due to the abundance of quality songs and beats on White Van Music. Although trimming the fat would go a long way to improving this already substantial work, efforts like this will guarantee that more MCs and fans will stay along for the ride to success.



1
Fresh album!
Go buy it!
And go get that Foreign Exchange today!
They’re NOT drink coasters like that DFB disc
The Casual & Royce tracks are hella tight
Yeah, Jake One posted outside of the Broadway Dick’s burger joint.
peace from the emerald city.
I’ll definitely check that album out!
[www.sendspace.com]
DJ Green Lantern, Russell Simmons & Barack Obama – Yes We Can: The Mixtape) BIGMP3
White Van Music is a solid album.
DJ Green Lantern, Russell Simmons & Barack Obama – Yes We Can: The Mixtape
1. Intro
2. David Banner,Busta Rhymes,Talib Kweli “Black President” Rmx pt1 *
3. Barack Obama “Stand Up”*
4. Nas Speaks on Politics
5. Styles P and Cassidy “Make It Out”*
6. Jay-z Speaks “The American Dream”
7. Barack Obama “One Mic, One People”
8. Russell Simmons Speaks on Obama
9. Joe Budden,Twista,John Mayer “Waiting on the World to Change 2008?
10. Angie Martinez “Yes We Need A Mixtape!!”
11. Kanye West,Malik Yusef “Promised land
12. Wale,Rhymefest,Christina K, Royce 5?9 “Black President” RMX Pt2*
13. Barack Obama “My Life”*
14. Jay-z “Lick a Shot”*
15. Russell Simmons on Change
16. Wyclef “Obama for President”
17. Charles Hamilton “The Moment”
18. Find ur Dreams (interlude) *
19. George Bush’s Highlight Reel
20. Mikkey Halsted “King George” *
21. Obama on Hip-Hop
22. Joel Ortiz feat Dante Hawkins “Letter To Obama” *
23. Akon , U.M. “Aint No Sunshine” *
24. Qadir, Dwayne (Invasion) “Its My Time
25. Johnny Polygon (Invasion),Amanda Diva “Colorblind” *
26. Mavado “We Need Barack” *
27. Jay-Z / Gabe Real “What We Need” (Speech)
28. Qadir “Yes We Can” Outro
[www.sendspace.com]
homey BIGGA aka da comment #7,
i post that shit in the comment number 6 !
hxxp://www.unkut.com/2008/10/the-search-for-the-ultimate-ny-anthem/#comment-37524
thanks for the Obama Tape frenchie :D
Great minds think alike Greums
BiGGA makes me *** (***)
BiGGA makes me *** !
———————————————————- lol
Block Obama
mixtape part II
coming soon,
sons!
^ SUPER PAUSE
lol
nah,
YO HOMO(SAPIENS)!
^^DAMN..NO COMMENT!
Four cancerous sticks indeed…
just got finished reading the liner notes, and some of the stories behind the beats are pretty interesting.
Cop this joint.
I gotta pick this one up.
No Homo(sexual)
you know…i’m going to DL Jake One after i finish this comment.
but for the love of gawd, can we please stop downing multi-millionaire producers because they produce music that the masses like? it’s like hip hop (well, blogging hip hop) has turned into this universe where all the nerds and geeks who could neva holla at a fly sista or learn a dance step get to decide what the good music is.
one of the reasons i started comin to this site is that while Gotty and crew were promoting artists i never heard of, they were also reppin cats like Boosie, Gucci Mane, and Webbie who ain’t neva been lyrical in their life but make music you can bump down the block (or dance to with a sista in the club) all day.
hip hop is just as much for ass shaking and head nodding as it is for the appreciation of lyrical dexterity and showmanship. let’s not forget that.
^ay, I wasn’t knocking the big producers one bit. I was just stating that Jake isn’t that kind of producer. By the way, I’ve written in defense of ass shakin and dougie-ing to the utmost, homie
Yeah for real. I didn’t see a swipe or a diss nor a “real Hip-Hop” nowhere in the review.
hip hop is just as much for ass shaking and head nodding as it is for the appreciation of lyrical dexterity and showmanship. let’s not forget that.
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Man I ain’t making excuses for these niggas that can’t rap worth shit, when I already KNOW its dudes out there that can make shit you can appreciate for “head nodding” AND “lyrical dexterity”. (If you need to know who, here’s a hint line: Dope Beats, Dope Rhymes, nigga that’s hip-hop.)
a VERY, VERY DOPE Album!