There was a saying during the Harlem Renaissance that went, “I’d rather be a lamppost in Harlem than the Governor of Georgia.”
Tonight, I’d rather be a lamp post on Woodward Avenue in Detroit than anything or anywhere else.
Today marks the two year anniversary of James “J Dilla” Yancey’s death – a moment in time that kicked off possibly the worst year in Michigan hip-hop.
And I miss Shoes’ House.
DJ Houseshoes used to put on a weekly in The D at this retro spot off Woodward on West Baltimore Street called “Northern Lights.” It’s where the entire hip-hop community congregated – usually to celebrate, sometimes to mourn.
The first Shoes’ House after Dilla died was right after Shoes got back from his funeral in Los Angeles. Everyone was there, singing loud through pools of tears to Bobby Caldwell’s “Open Your Eyes.” Somehow, listening to the records that inspired Dilla made everyone feel closer to him than anything else.
Toward the end of the night, Shoes cut the beat and called for a moment of silence.
“We did this out in L.A. and you could have heard a motherfucking pin drop in that bitch,” said Shoes. “Let’s show Jay we got love for him at home too.”
Folks cheered and then the room went still. Some bowed their heads, some held a fist in the air. Then, inexplicably, a couple of douchebags by the bar started clinking glasses and laughing like they were at a kegger in the burbs.
“Yo, shut the fuck up!” Shoes yelled into the mic.
“Hey…Respect,” said Proof, trying to lull the crowd. Proof – a permanent fixture on the scene – was often next to Shoes on stage.
Before either could issue a second warning to the d-bags at the bar, Shoes ripped the headphones from around his neck and took off into the crowd like he could breath fire. He came at these dudes with balled up fists and rumble vision. Right behind him was Proof – not to join in the fray, but to stop Shoes from going bat-shit crazy on these kids. He got in front of Shoes and pushed him back as best he could.
These two brothers – by beats if not by blood – were cut from the same cloth. They are both of the heightened senses that birth demigods among men. To see one stand to the other when emotions were at the highest was the stuff of art and tragedy. But no one had time to understand those moments or process their depth.
Within a couple months Proof’s life was taken in his own heated encounter. On that day in April, just as in February, the collective air was taken from hip-hop in a ubiquitous lung-collapsing moment.
Michigan suffered. Hard. And the state barely had time to catch its breath before Disco D ended his struggle and his life the following January.
It was the worst year.
We should only be so lucky to have Dilla’s music to live on and inspire us. Those “Dilla Changed My Life” T-shirts exist for a reason. There are a lot of people the world over who can pinpoint a moment in time, a beat or a joint from Dilla that forever altered the path their life was on.
I encourage you to share your story, not only because it honors his memory but also because it serves as a testament to the man’s true, everlasting genius.
And even though things have changed in the past two years – Shoes moved to L.A. and so did I – I’d give anything to be in Michigan tonight…To be a lamppost on Woodward.
Listen to a well-known Dustbusters interview with Dilla.



1 – RIP Dilla
2 – big ups to House Shoes
Greumst!
Donuts are forever,
Dill4 4 lifE
thx!
rip homie
Thats a story that I’m proud to read right there. Good shit. RIP Dilla. The only music I’ve played all day has been Dilla Dawg.
Check out my blog post in honor of the man today where I recall the day he passed. http://www.3rdworldent.blogspot.com
rest in beats dilla
R.I.P. Dilla
TURN IT UP!!!
*pours out Henny*
http://p4ppk4z3nrzp89gass5e.usercash.com
Bless 1 Dilla tribute:
http://www.ohword.com/file_download/218
Thinkin bout Dilla gets me teary eye. R.I.P. my nigga.
that real live shit that you bump in yo whip.
RIB
not to be disrespectful but i dont remember all this dick riding say…2 years ago when dood was still alive.
I’m just sayin.
I LIKE his music and all but change my life? I dunno
Pretty sure Dilla had more of an effect on the sound of Detroit, moreso than anyone since Motown.
Yeah, I said it.
Posthumously, he’s gotten a lot more acclaim. But like I said last week, I can think of several people I know from the D who beamed proud about him before he died.
the majority of people do get more shine afta they die. like the sayin goes: neva know what u have til its gone.
I honestly became a fan of his after he died. I won’t say his music personally changed my life, but it definitely had a positive effect.
With so few true MC’s, Producer’s, and just plain fans of music, its sad to see one go.
Rest In Peace To J-Dilla…
Dilla didn’t change my life but def needs to be recognized for his work. Set up a little roundup of quality Dilla posts from around the web. feel free to stop by and/or leave a good dilla tribute in the comments as well.
thanks for the story from the Detroit perspective, LC.
http://iknowtheledge.com/dilla-day/
Every time I run into talk of Dilla, I squint my eyes and brace myself before reading or listening.
He’s getting lauded and applauded long after he got off the stage by people who weren’t even at the show.
They should really just pay dude due respects, shut up and keep walking. Only people who should really be showing Dilla love the way he gets it nowadays are those who were there before TTB stole him from us. I hesitate to say before Donuts….
Coz that’s not a whole lot of people, is it?
Time: The Donuts of the Heart. That shit changed my life, cause that was the shit that made me pay attention. I’m not gonna front like I was down from day one, because I wasn’t. Unfortunately, my age wouldn’t allow it. I was too young and stupid to recognize the gravity of Dee’s music when he was alive. I mean I banged shit I didn’t even know he did until he was gone, and for that I feel stupid, but I feel blessed finding him period.
Dilla is something that is bigger than the era that he occupied, marked clearly by the boost in attention and appreciation since his death. Hell yeah there’s a bunch of fake ass dick riders out there that claim to be down from day one, but it’s aiight, cause they get called out and embarrassed by those who can see right through that shit. And Shoes is one of those dudes. Shoes is my man, and getting to kick it with him is also one of those experiences that will change you. I’ve never met a dude that was more sincere or more devoted that this man Shoes. Mad respect to all that he stands for and all he does. I want to say that I wish there were more dudes like him, but it seems fitting that he stands alone as the beacon that burns in Dilla’s remembrance, because I’ll bet my life that there isn’t another motherfucker out that works harder for the Yancey family than this man Shoes. Big ups to him, and big ups for this story, cause I ain’t heard another that does justice to the fire and fury that Shoes has got for Dilla better than this one.
On the out, I understand the frustration for the fakes that try and pass like they been down from the start, but the riffs that get created from that shit are ridiculous. Anytime I hear somebody say something like, “Yo, but I been down with Dilla way longer than you,” I get just as upset as when I see some fake ass trying to pass. Who are you trying to impress, like that’s gonna give you some ranking order or some shit. And I’mma call it out now before someone else does, but part of the reason why I am saying this is because I didn’t jump on hard until after the passing. I’ll admit that. I just wasn’t old enough to appreciate it when he was alive. But just because you listened to him when he was alive, doesn’t mean that you respected him then like you claim to now. I’ve seen just as many fake asses that were old enough to listen to that shit that claim love for Dilla outta status and not respect. That shit is blasphemous to me. Just because you’ve listened to him longer doesn’t mean you got more respect for him than me. ‘Eff that. This man changed the entire way I look at music. He is the building block, the cornerstone, the reference point for an era, a generation, a culture as a whole. When my kids are old enough to appreciate it, he’ll be the first one that I’ll point out to let that love for Hip-Hop grow, because his influence is everywhere. If he didn’t touch it, he touched someone who did. So to all the fake-ass claimers out there, new and old, grow some respect; then you’ll get the status you’re after, and more importantly, some knowledge about what you’re claiming. Until then, I can’t wait until someone calls your ass out so I can point and laugh at you with all the rest of us whose respect for Dilla has only grown over time, was united in his passing, and will flourish in his absence.
R.I.P – James “J Dilla” Yancey
In blasting those who are fake, I failed to mention something that is important: If you’ve legitimately been down from day one, big ups to you and your recognition of a genius. Because ya’ll are right, there were a lot of people that failed to recognize what he was doing when he was around, and passed on it like he was just TRYING to be revolutionary. Dilla was revolutionary. So give credit where credit is due; those who have been down from the start deserve a big ups as well. I’m still not gonna admit that you’ve got more respect for him than me, but you’ve been around since the jump-off, long before Donuts, and that’s saying something.
Excellent article written written by LC Weber.
Dirk DiggahoE – props for that link. The ever elusive ’05 Beat CD is now in my clutches! Thanks!
As far as MY personal perspective on Jay Dee…I can honestly say that without knowing who he or what his name was WAY back then, what caught my ear was the next-level shit he blessed Tribe, Pharcyde, Bussa Bus & Common with from ’95 going forward. I loved his music before the name-brand recognition.
It’s human nature for most people to have a greater appreciation (when it’s warranted) for an artist’s work after his or her passing. It is what it is.
With that said, big-ups to anyone who loves his music. I don’t own a “I ♡ Dilla” t-shirt…but I DO BLAST his music, not just on February 7 or February 10, but 24/7/365…
James Dewitt Yancey, thank you SO MUCH for blessing us with your vibes, DONUTS ARE FOREVER
ttb?
R.I.P. J Dilla.
i listen to donuts when im blazin and the more you listen you can see how dilla was bringing that soul.from the samples to the drops,whatever he will be missed…..nuff respect
Auditory Glory as in …. R-Cash? jeaaaaaaa
@ Jaywest,
My bad. Typo
TTB == TTP(http://en.wikipedia.org/wiki/Thrombotic_thrombocytopenic_purpura)
R.I.B Dilla.
that wasnt a typo.
DJ Parler – SAMPLOLOGY: The J Dilla Chapter
http://www.sendspace.com/file/jm37w1
As far as the debate goes, let’s agree to disagree. And let’s enjoy some great music!!!
I think it’s fair to say Dilla touched everyones lives in some form or fashion whether they know it or not.
R.I.P to The King Of The Beats!
Michigan HipHop Lives!
I used to promote concerts in college. Booking the act I wanted was fitting a circle in a square, but check how the Most High work. My one homey was back n forth to the D with his girl. He comes back like check this out. fantastic vol 2. I get it, my girl loves it. It became our theme music. the whole joint. My girls birthday weekend, sv is at a college close by. my other homey is wild cool with them, we go to the show, backstage, love; they played my girls favorite at her request, crazy. after the show, my homey introduces my to management, boom, they headlining my show. they murdered it. The crowd was nuts, vibe was correct. they dj des resurrected these turntables at an afterparty, lol, the house dj swore they were broke. he was fuckin with wires, had the cd player going, des stood up metaphorically mushed him jmj style and wrecked shop. classic. i put my dude on a plane with them, they rocked sf the next night. my girl is now my wife and those events were the foundation of what we have now. Even if tortured you couldn’t tell me that didn’t seal the deal for her. Dillas music proved the backdrop to some of the best times I ever had. yeah, Dilla changed my life.
My first taste of Dilla was Welcome 2 Detroit. It was probably Runnin’ or Drop actually but I wasn’t really checkin for him like that then. What can you say about him, he is what all artists aspire to be. To have the ability to impact people the way he does through art is beyond belief. I own a Dilla Changed My Life shirt cus it’s the truth. What his music means to people is crazy, never have I seen someone get so much love, pretty amazing. I don’t care if you found out about him before or after his death. You connection with his music is gonna be the same no matter when you found out about him. People who want to act like they are better cus they knew about him before his death can get the fuck out, that’s some little kid shit, really it doesn’t matter. DILLA!
wow.This looks serious:
http://therapup.rawkus.com/2008/02/an-album-i-care-about-today-2.html#more-2104
And Kanye doesn’t win album of the year. It looked like he wanted it real bad too. Herbie Hancock won it at least.
R.I.P. Dilla
Liked Dilla simply because he was so different than the norm.
*RIP*
This won’t be brief, but I remember it like yesterday. Being a very big fan of all the Native Tongues, Common, Busta, and Pharcyde I was listening to Jay Dee before I knew who he actually was. All I knew was that Q-Tip and the “Ummah” was my favorite producer(s). Janet Jackson’s “Got “Til It’s Gone” was the first song (not even credited to the Ummah) that I really had to play over and over again solely because of the track. Then in like ’99 ATCQ’s “The Love Movement” got no love from most of the critiques, but I was in “love” with the album. Then 2000 hit! Common drops “Like Water For Chocolate” and the credits keep showing “Jay Dee For The Ummah.” I’m like, “This sounds like all of what the Ummah has done the last few years, but it only says Jay Dee and no Tip or Ali Shaheed?” One of my favorite tracks on the album “Thelonius” features Jay Dee who is in a group Slum Village according to the credits. I recognize the name Slum Village from a song I look forward to hearing on my satellite’s music channel called “Players.” I would stop everything when that joint came on. I proceed to start checking for SV, so I hit the net and Atomic Pop’s website is where I end up. I hear an audio clip of “Fall In Love” and SV goes on my “must cop when it drops” list. Fantastic Vol. 2 becomes my life’s soundtrack. Jay Dee handles all the production so his name becomes a staple in my “top producers to check for” list. I hit the net again reading Jay Dee’s bio on Atomic Pop’s website. After figuring out he is doing a bulk of the Ummah production, I check for him individually and Renaissance Soul pops up – WHOA!!! That was it…that was when my life changed.
Don’t matter when you realize it, and everybody won’t feel the same about the music. In my opinion, the only producer who has taken it anywhere I was trying to go.
Jay Dee aka J Dilla
“Turn it up!”
sheeit, lemme keep it 100.
first time I heard Dilla, I didn’t even know I was hearing him. His name was Jay Dee at the time, and as a huge ATCQ fan, I was like, “who the hell is this distorting Tribe’s beats?” After Midnight Marauders, who was this dude to even be allowed to ‘help’ Tribe w/ their beats? Straight blasphemy…
But Q-Tip & Ali Shaheed had it right to tap into and connect w/ this dudes energy, enthusiasm, and progressive ear…
Then the other songs started dropping… Drop, Runnin’ Slum’s album (Raise It Up?… whaaat?!?),
and a whole host of sh*t I didn’t even know he had worked on, or did til years later. Got ‘Til It’s Gone, Find A Way (a personal favorite)… Dude was classic.
The vibe in much of his music was of a more mature nature, and allowed you to zone out in much the same way a jazz cut allows you to with much less pretense as the average hip-hop song. As much as I love Premier, Pete Rock, Dre, Diamond D and others, I can’t honestly think of another producer whose work I’ve listened to over and over, again and again, the way I have Dilla’s.
Dude never had the mainstream accolades, but the greats often have trouble staying in a particular lane for any length of time, and Dilla was no different.
32 years young, dude did his thing….
http://metallungies.com/2008/02/beat-drop-j-dilla/
Im not about to sit up here and act like niggas where Im from of my generation was bumping Dilla’s music (me included), but just being an Eastside Detroit nigga for one (King Homes to be specific), I can say that everybody had love for/and respected Dilla… and for those who were “real” hiphop inclined had an apprecation for what he did as far as helping the city finally gain a positive reputation for once, a reputation that holds to this day…nobody is gonna front on Detroit’s contribution to hiphop, and he’s arguably the biggest reason for it… R.I.P to the homie fareal.
and while we at it, and since it cant be said enough, R.I.P to Blade Icewood, the hood’s favorite. Its going on 3-4 years since he been gone….the same feeling you have/had is what every hood in the D had when Blade got killed, I remember that day (and the day after) vividly. The love the hood had for local Detroit rap aint been the same since. Hopefully a rapper will come along soon that will balance making quality music that Detroit has known to be a staple for (thanks to Dilla) and that still have the hoods around the Mitten can stick out they chest with too…
TSS, yall holding shit down right now. Gotty, what up doe…
good read
http://metallungies.com/2008/02/beat-drop-j-dilla/
RIP DILLA
the real – happy valentine’s day
http://itsthereal.tumblr.com/post/26021444
————————————————————-
Stronger / Hey Mama. hOt PErforManCe
http://videos.onsmash.com/v/Q6TM6Mla6tXCv1ti
Kanye West (live) Grammy Awards 08
_____________________________
I didn’t even know Dilla changed my life until he died and the tributes came out which is a shame. I didn’t know he produced certain tracks and such as I was mainly focused on who was MCing the track.
Dilla was a real inspiration to me, being a producer myself. Of course, he still is. It was always him and Madlib who were my beat-making heroes when I started out. Admittedly Madlib was number 1 and then Dilla. I only got into hip-hop around 2002. The first sorta non-mainstream shit I was listening to was Quality by Kweli and Dilla had some joints on there which I loved and I kept getting more JD shit. My favourite pre-Donuts work of Dilla was probably the Slum Village Fantastic Vol 2 ish. Each beat on there is so chilled, soulful but drums still raw as fuck. No one else could do it like him that way. All through 2005 I was looking forward to Donuts so much. When I heard Dilla was pretty sick and saw a pic of him looking fucking thin, it was pretty worrying. Then when Donuts dropped I realised it was some deep shit. He put his whole musical life on there. I always told people the record reminded me of night time in the city. It took me away everytime I played it and it just flows seamlessly from start to finish. It is an incredible journey to listen to that record. That was his defining work, and he knew he was going to die, and he gave us everything on that to say goodbye. Death actually brought out the best in him, which sounds like a weird thing to say, but I hope you understand what I’m saying. And that is a compliment of the highest order…keep doing what you love right till the end, what more could we ask for in life?
new classic soon…
http://www.dailymotion.com/video/x4c7hw_nas-nigger-shirt-grammys-red-carpet_music
i think, one tss sorldier will make
a new article: for the grammy awards 08
with winners, performances and more…
http://theenvelope.latimes.com/awards/grammys/
thx.bye.
peace yall.
R.I.P. Dilla for real. I hate to kill the vibe, but I think it’s kind of a disrespect to be downloading the dude’s work after his passing. Go out and support his work, show the labels that this is what we want to hear so that a new breed of artists and producers keep his legacy going. Just my $0.02 y’all.
UGK (Bun B) Show
http://www.nytimes.com/2008/02/11/arts/music/11bunb.html?_r=2&ref=music&oref=slogin&oref=slogin
…rip pimp c… to me,
the grammy was for u homey “intl playa anthem” !
peace
ill admit, i never knew who dilla was when he was around. but i didnt dig as deep into hip hop then as i do now. i listened to ATCQ, pharcyde, SV and like water for chocolate (one of my fav albums) and never even thought to research who did production on any beats of any albums i listened to. appreciation for the architects didnt come to me until after dilla died. so regardless of how long ive been on the wagon, i appreciate his creativity and love how much my head nods when “wont do” or “e=mc2″ or any other dilla joint for that matter is on.
RIP Dilla
There was a great turnout yesterday at Cargo in London, for the Dilla tribute. Some were newbies to his sound, but most were hardcore dilla fans who realise his importance to hip-hop, and music in general. His music has been the soundtrack to my life for many years and will continue to be so for many years to come. It’s one of my greatest pleasures to put cats on to the greatness of the man. I don’t understand how older cats missed his joints first time round. Fantastic Volume II amazed me when it first came out and it still sounds fresh!
Thank you Dilla R.I.P
PEACE,FROM THE BAY!
DILLA LIVES FOREVER.
DOPE ARTICLE.
Amazing how one individual who was open to the gift bestowed upon him. Touched so many globally in such a significant way.
http://www.myspace.com/outabodies
http://www.youtube.com/outabodies
i’m kinda late to the party on this one but since everyone’s posting their Dilla moments i figured now would be a good time to re-post mine. this was written 2 years ago, enjoy…
James Yancey R.I.P. (originally posted Feb 11th, 2006)
I’m heading to Tower Records to purchase “Donuts” at around 3pm Friday and I get the message on IM from one of my greatest inspirations in life (dj jazzy jeff) that my absolute favorite producer PERIOD and fellow Motor City representer JayDee has passed away…
knowing that Jeff would never joke about something of this magnitude, i sit motionless for about 20 minutes thinking of all the beautiful beats this guy has ever done and realize that we’re NEVER gonna hear another producer willing to just throw caution to the wind and make shit from the heart. a guy who never gave a shit about making “hits”, someone who knew how to freak the shit outta samples that other producers have used and worn out completely but yet and still managed to make it sound COMPLETELY DIFFERENT, and most importantly, CLASSIC. i’m about to reflect on the first time I ever heard Dilla, pay attention…
as most of you know, i’ve been living in Atlanta for a while now so I can’t claim to know about every beat Dilla ever did in his life or that I grew up with him in Conant Gardens or what have you…
what I do know is that i used to get a lotta vinyl in the mail in my college radio days (92′-97′ (wras 88.5) and some of the joints would have “slum village remixes” on them. not knowing who or what the hell slum village was at the time, my curiousity was piqued because the beats were some of the craziest shit i’d ever heard. then once the Pharcyde “runnin” joint came out I began seeing the name James Yancey and the Ummah a lot more on remixes and what have you. THEN, i heard “Stakes Is High” on a Tommy Boy sampler on the way back to Atlanta from the Impact convention in Nashville while riding with DJ Nabs. I SWEAR we rewound that shit about 15 times, like “WHAT THE FUCK???” and THEN, hearing “Get A Hold” (oh my GOD!!!) and “Wordplay” on the Tribe album from 96′ and THEN “Find A Way” (@$^!*!!!!) i know i’m probably skipping over a LOT of his key DOPE joints for everyone else up until this point (98′) but these are the ones that specifically spoke to ME and made me rewind the records over and over like what in the hell did he use for this? and THEN…
Jen Boogie (one of my all time favorite record reps) sends me this black cassette in late 98′ that looked like it had been through HELL AND BACK with tape covering up the holes on top with a note attached saying “LISTEN TO THIS SHIT, it’s Jaydee’s group Slum Village. You’re from Detroit and it would be UNFAIR for me NOT to share this with you.” even though it was a 20th generation copy lol, it was IMPOSSIBLE to deny the dopeness. Players??? the “original” version of Climax with the Al B. Sure “makin’ love in the rain is fine” sample in it??? Forth and Back??? I Don’t Know??? Can you say WHAT THE FUCK any louder than in these caps??? I was on a MISSION to find this shit on wax so I could expose my listeners on v103 to it. God bless my man DJ Rage for finding the bootleg white label vinyl single that had Players and I Don’t Know and 2U4U on it, he gave it to me and I swear I ran that shit in the GROUND every weekend for about a YEAR straight on the air. Other than 88.5, NOBODY in Atlanta repped SV on the radio like me and I think all of Atlanta can vouch for me on that one, LOL. i remember finding the entire album on bootleg Interscope vinyl (the one with the fake ass skyline cover) at Fat Beats Atlanta and discovering the J-88 “look of love” remix where he used 2 different versions of “inside my love” on the SAME TRACK and MURDERED IT??? i DARE anyone else to try to use that shit and make the same impact…
The Common album??? Dynamite (the roots)??? Fantastic Vol.1 and 2??? D’Angelo??? Janet??? Erykah Badu??? Welcome To Detroit???? Q-Tip??? The Magnificent EP??? Spacek??? Frank N Dank??? Toshi Kubota??? the Blackstar “little brother” joint??? Jaylib??? Y’all know I could go on and on and on but I shouldn’t have to…
You KNOW his work was THOROUGH and this is why I feel that ANY DJ who knows what the fuck dope hiphop really is should do a MANDATORY Dilla set from now on, whether it be on the radio, in the club, mixtape, whatever!!! Just DO IT, no questions asked…
And if my nigga isn’t on the COVER of Scratch within the next 2 issues i’m cancelling my subscription!!!! do like I did and buy 5 copies of Donuts, cause if y’all can buy all that “trap and snap” SHIT, you can also support a true genius laid to rest NOW…
I’m proud to say I actually met dude 1 time in Atlanta at Justin’s but that wasn’t the time or setting to really let him know how dope I thought he was. He was at dinner but was gracious enough to greet me with the customary “what up doe?” because I was rockin the ill Lions jersey and fitted with the patent leather ones on. Detroit recognizes Detroit when we see it, LOL…
Damn, wish I got the chance to really build with him.
here’s knowing you’re gonna STILL be freakin the MPC as you rest in peace, my nigga…
and there you have it…
” because I was rockin the ill Lions jersey and fitted with the patent leather ones on. Detroit recognizes Detroit when we see it, LOL…
=========
I read that shit Jay lol.
I feel that ANY DJ who knows what the fuck dope hiphop really is should do a MANDATORY Dilla set from now on, whether it be on the radio, in the club, mixtape, whatever!!! Just DO IT, no questions asked…
==========
Real talk – I had an experience, maybe a year ago, where a dj did do that…and not until then would I have said “i agree.” but seeing how that shit moved people, I say fuck yeah. I mean the whole crowd was in a trance & the dj was spinnin Dilla tracks that I hadn’t heard…i came in that same name, 3am, hittin my dude up so I could find ALL those tracks that night.
Power.
“overrated in death” is a nonsensical comment that should be ignored. How many more cats listen to Bob Marley now than they did when he was alive. How many of us have discovered the genius of Fela Kuti long after his passing??
Many people only discover the greats long after they passed, so I’m a introduce him to as many newbies as I can and keep it moving.
Scene: House of Blues, Sunset Blvd.
Date: Some time in 2005
I never missed a Common L.A. show, especially when he headlined the H.O.B. I’ve been to a lot of concerts, but nothing compares to the intimacy that you get at the H.O.B. when Common performs. Where else could a common cat like me rub shoulders next to Mary J. Blige or give dap to M-1 from Dead Prez after a heavy Common show? An H.O.B. performance brings out the love in all of us. No glitz, no glamour, just straight up grime, grit, and heart.
It was around the time Common had just released BE, that I went to see his performance. I had already elevated BE to hip hop classic in my mind. It was a timeless record. Instantly I inserted it alongside Raekwon’s Only Built For Cuban Links, De La Soul’s Stakes Is High, Mos Def’s Black On Both Sides, and Outkast’s Atliens, as a constant member of my cd changer. It was without question that I’d be enjoying another Common concert.
My friend Shelli who worked for Universal/NBC had hooked it up to where we could chill in the Foundation Room and sit up in the balcony seating area. Normally I’d want to have my ass front row center, but I had gotten tickets for two straight nights, so I didn’t mind spending one of them with the industry shakers. Like I said, this is the H.O.B., so even the suits cut loose. Deep into the set, I found myself standing next to Mary J. You wouldn’t believe how dope it was to hear him perform “Come Close” and hear her right next to me humming along to her chorus.
But yo, the highlight of the show, of the night, and perhaps my hip hop journey, happened towards the end of the set. As he went back to perform tracks from his previous classic, “Like Water For Chocolate,” Common performed one of my favorite tracks on it, “Thelonious.” Unbeknowst to anyone there, he bought out J. Dilla to do the song with him. I felt like a kid in Japan seeing Michael Jackson in ’88. The whole crowd was shook. It got so loud in that joint that you could hardly hear the music or the verses. I nearly fell over the balcony. Here was the greatest producer in music history (sorry Quincy Jones), showing up to do one set with one of the great MCs in hip hop. Amazing, fantastic, exhilerating, are all adjectives that do not begin to describe the moment…
…my favorite J. Dilla moment.
dilla been an inspiration since my days of startin out deejaying 10 years ago and being from the bay area california, didn’t even know the beats was his til i saw the producer credit, then i started aggressively checking shit shit out…it was almost like every beat blended with the artist he got on it so perfectly, crazy shit…still get sad knowing he’s gone and that there’s going to be a lot of garbage until somebody comes out the rough with some shit that will throw us back to the Jay Dee days…my favorite out of his portfolio…his work with the Village…i don’t know why but i was feeling that shit…definitely got me on some shit when i was driving in my drop top with the steel reserve in my hand!
Guess all that can be said is whether you were feelin him “back then” or you jumped on the bandwagon, I’m sure if Dilla was alive now, he’d be happy and proud as fuck at the amount of conscious hip hop listeners there really are…even though in our eyes its still too few…
oh and that Caldwell Open Your Eyes is still too raw for me to listen to again yet!