
Like it or not, as far as industry leaders in hip-hop print media go, XXL is head of the class.
While Vibe seems to be targeting more of an R&B crowd these days, and The Source is stuck in a fight to regain its former glory, XXL is the one ‘zine that gets coverage outside the newsstands. Whether people are talking about YN’s overly-zealous fighting spirit, or Interscope supposedly paying them off for a cover spot, every issue at least has heads talking. For the better, or the worse.
Issue #97, however, just might have people scrappin.
In hip-hop culture, when it comes to artists and their talents, people like to have their own opinions. The individuality of your preference is what sets you apart from the next fan, and also what separates you from an average music listener. Over time, your opinions become stronger and more sensitive, and will eventually lead you in your listening.
Nowadays though, with the pool of rappers seemingly overflowing, it’s become harder and harder to distinguish those worth pulling out and those who need a floaty.
So, with so many choices to base your hip-hop independence on, and such little time to actually listen to all the music, XXL has decided to tell everyone who they need to be up on. They call these ten emcees, “Hip-Hop’s Next Superstars.”
I call that a bold-ass statement.
While a few of these rappers will definitely have prosperous careers ahead them, off-top, I can see some who might never even have a major album drop. There’s a couple of others who many would say didn’t deserve to have their first one hit the shelves, let alone the title “superstar.” And, since when can one single justify the rest of someone’s career?
Personally, aside from any bias I might have towards those guys, I think it’s just a huge marketing ploy to sell records and magazines.
Because of the clout XXL currently holds, they can influence who people listen to. With such high market saturation, along with help from their affiliation to certain labels, these ten rappers can and will be pushed more than a revolving door. And at that point, it doesn’t even matter whether these guys are actually talented.
If they’re getting any type of word of mouth, and they appeal to the casual listeners, they can be made into “superstars.”
As a fan of music, I have extremely strong feelings about the art form being represented the wrong way, especially when it comes to hip-hop. However, since I can’t write an essay about how corporations run the music industry, I’ll make a simple analogy. In an effort to let the big biz know that talent will always prevail over what’s simply “hot,” I leave you with one statement.
Harold Minor.
Black Buddafly – Baby
Britney Spears Ft. AC – What Ya Sippin On
Busta Rhymes Ft. Akon & Shabba – Clear The Air
Chris Brown – Throwed
Gucci Mane Ft. La Chat – Stick’em Up
Mims – Fahrenheit 9.11
Nina Sky – Kicks & My New Dress
Sean Kingston Ft. Plies – Love Me (Remix)
Slim Thug – Theme Song (Hoggs On Da Grind)
T.I. Ft. Ciara – Goodbye My Dear (Prod. By T.I.)
The Dream Ft. Fabolous – Shawty Is A Ten (Remix)

only superstars i see are lupe fiasco, joell ortiz, papoose/saigon, and rich boy. in that order..
Lupe over Joell?
Nah.
And the reason why can be heard in “Dumb It Down.”
Joell is a beast and has the best potential out of all of them at crossing over. I don’t think any of these guys want to be “underground artists” forever.
But that’s the fate for most.
Baby Jordon couldn’t handle the hype and pressure
I love Joell.
But he does not possess more crossover people than Lupe. Lupe’s got more general/average appeal than most. Plus, you figure the level of those cosigning him, it gives him advantage.
Now raw talent & spit, Joell.
But are we arguing talent or “most likely to blow”?
I am talking, “Most likely to blow.”
(i.e. crossing over to that 1x +)
I don’t claim to know it all… but my track record is nearly flawless in calling what’s next… and my gut tells me Joell (although, I think the records he was making before the Aftermath deal were a much better indicator – I actually think he’s taken a step back – perhaps the good Dr. is directing him/his flow/cadence/etc).
I just don’t ever see Lupe being a platinum artist. Sort of like how the LOX or Jada just can’t seem to push more than 700k no matter what.
You have to have the white audience in mass numbers (T.I., 50, Kanye, Luda). If Lupe is going to do it… now is the time.
“Nobody got game colder than me
I call the dumb aggins the lil homies
even though they older me/
cuz mentally im twice my age/
my mind contains/ priceless game/
wisdom for weeks/ advice for days/
the Nikes the braids/ the mic the stage/
the nine the gauge/ the knife the blade/
the live grenade/ the heist the raid/
this gangsta life we made
is the price we paid
give us paper
we might behave/ ya know?
ya try to invade inside of a grave you go/
in spite of your ways this rider remins to grow/
uh-oh/ aggin one rifle blastin/
that’ll make you spin around
like a young Michael Jackson/
the LBC and me/
gangsta walk when we up in the party/
you gangstas talk shit and your body catch 3/
the C-R double-O K-E-D…mothafucka”
Yall already know where I stand…
Joell baby!!!!!!!! Latinos represent!
I agree with The Real Anonymous, you gotta have the white audience in order to get the real mainstream appeal. Now, if white people is singing your songs then you know you made it. But, I can’t see Lupe blowing as big as Kanye. I don’t know how to say it, but he is “too lyrical”, I don’t think the mainstream crowd is ready for him. A song like Dumb it Down will go right over their heads. Plus, there aren’t many songs on the radio that are strictly lyrical.
Joell is on Aftermath.
That should say enough lol. Unless he puts himself in position, nobody over there is going to really go hard on his behalf.
I’ve got a whole bunch of random scribblings about Aftermath as a label.
that i get money remix….FIRE!
Lupe had everybody “Kick Pushin”. Where’s the love lol?
Nah I like Joell more. But who’s more marketable? I gotta go with Lupe.
All I know is I see Boosie & Dro up there! Woot woot! All they needed in the pic was Webbie & it’d be O-fficial.
As I myself am such an avid dick-sucker of XXL, I felt I had to defend the publication’s actions to some extent. But when I tried to break down your blog, you’re essentially spitting truth but just viewing it in a negative way for whatever reason.
It sounds like you wanna criticize the fact of their editorializing or maybe you think it’s a dishonest editorial ie. corporate-bought article. You probably think that some of those rappers suck so much that it had to be only through some payola scam could they have gotten on that cover. As someone who has almost no music industry experience (yknow, aside from undermining the industry by downloading hella music), there’s two ways to look at this that are actually both pretty similar.
1. They probably all paid their way onto that cover because not one of them has actual superstar potential. Five of them have respect lyrically (Lupe, Joell, Crooked, Sai, Pap) but really between lackluster sales, bad hooks, and albums in limbo (re: Saigon … and Joell too because he’s signed to Dre), none of them could ever legitimately hope for TI numbers. And the other five have no respect lyrically but unlike the previous five, they have actually had decently sized radio hits.
2. For the same reasons above, maybe none of them paid for the cover because actually predicting a superstar is a fucking crap shoot. But these 10 dudes have at least a couple elements that you might think a superstar should have so XXL puts them on for those elements in hopes that they might develop further.
To make a long story short, you can’t hate too much on XXL for putting out the article. At worst, all those rappers’ labels paid to get them on. At best, XXL might actually be doing their job. Either way, these dudes do deserve to be on the cover whether for their lyricals skills or for their business sense–both of which I’d say are equal in terms of what makes a “superstar”. now that i’m finally done writing this god-awfully long response, i’m gonna return to my ant colony and dungeons & dragons game.
Joell is a beast, my fav ‘new’ rapper…
and Jay-Z kills the ‘i get money’ remix!
When 50 was on Hot97 he said this: A lot of artists will get around Dre and not know who they are as artists and they’ll sit and fade out cuz their project will get outdated or Dre will get bored. I felt like he was drew some of his example from Joell. I mean Lupe’s skateboard/b-boy image has already created endorsements for him, how is this even an argument??? I mean all these dudes can rap but everybody’s not a good artist. Jadakiss is testament to that. Speaking of XXL I felt they rated the correctly titled “The Brick” right when they said all the chorus-less verses ran the LP into nowhere. I mean he hasn’t shown me anything to get excited about artistically. Even when he had the best verse on that Jugganots song, he spit what we already knew. What’s that make “125 Pt. 65???” Let the rappers prove themselves before U elect them is all I’m saying….
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Why are Saigon and Papoose included on this cover? They have been “next” for the past 2-3 years! I personally don’t see either one of those dudes blowing up. If your album was really that hot, it would have been out already. In my opinion Lupe has the best shot because he has his own lane and a cult following with lyrics for days.
XXL has no love for the Yay? And only little love for the West. Crook the only DubCee face up there. While Crooked I oozes talent and can freestyle the dookie out of tracks, I’d wait and reserve judgement until his first album drops before labeling him the next superstar of rap.
Who were the ten MCs who just missed the cut? If Turf Talk isn’t one of them I’m boycotting XXL, which pretty much means continuing to not pay attention to anything they say.
MURDER DOG > XXL
RAP ON THE INTRAWEBS > RAP MAGAZINES
@ faker than fake…
1+2= you’re probably right. regardless, i think it’s bullshit that a magazine can say “these artists will be superstars” and people will buy into it.
@ Dookieostepher..
…and where the hell is Bishop Lamont? You can’t font on that one. Even if Joell ain’t gonna see the light on the ‘Math, Bishop will get some Detox time fo sho.
Ya Boy deserves some credit, too.
Lupe coulda blown already if his album had a hit song. Dude had all the hype and attention from the right sources, and fell right into that non-threatening ‘white people can listen to this’ niche that Kanye is in. He just didnt have the undeniable hit. Soon as he get’s his ‘Hard knock life’ it’s on.
All I wanna know is what happened to Saigon, his old mixtape shit like ‘Stocking Cap’ had me thinking dude was the next 50… in terms of the charisma, and the catchy hooks. Seemed like a no-brainer, then he disappeared for ages. Comes back with Just blaze, on some uplift the people shit, which is all good. But now none of his song’s have that same appeal , I cant really see it happenin for him off the newer stuff I’ve heard.
Somebody’s gotta go on the cover…
where’s Mims at ?
^ haha
I think you’re making too big of a deal over the whole ‘superstar’ word choice. It’s cool that XXL is taking a break from the Jeezy, 50, TI cycle that they’ve been on (left out Wayne because I always cop those issues, lol). And to put dudes like Crooked and Lupe on their cover is just the kind of exposure that those dudes need. I don’t really see any of those artists lasting very long, to tell the truth, but it’s cool to have some cats on the verge on the cover, it shows that the mag is paying at least a little attention to what’s really going on.
actually, I take that comment back about none of them lasting long – I forgot about Dro and Plies on there.
I’d mention Lupe, but he’s already been talking about retiring…
really hoping that doesn’t happen.
Yo BEWARE. Check out my homie DJ Brigham Young on 89.1 WIDR on Saturday nights from 7-10pm. It’s called “Hip-Hop Ethics” show–maybe you’ve heard of it or him. Either way, it’s dope. Gotta show love to Western, and I figured you may get a kick out of hearing some GOOD music on the radio in KZOO.
they shouldve put ya boy or jay electronica on the cover. fuck, throw bishop lamont and currensy on there while you’re at it.
Good music on the radio…in Kalamazoo? It can’t be right! Naw, but seriosuly, it’s real bad out here…unless you love country. Anyways, it’s good to know your man is out here holdin it down WIDR. If I’m ever in the ride on Saturday and I actually remember..i’ll def. check him out.
lmao!!!!! harold minor.
(and they had the nerve to call him baby jordan…)
I Get Money (REMIX) no DJ
http://www.sendspace.com/file/s60b85
Chuck_You did it!!!!! Lets go!!! (Sorry, kinda hyped)
Crooked I?
This ain’t 96.
@beware
i feel you on not havin Bishop lamont because he has been puttin out quality music.