
Words by Corey Bloom
Two years ago, after hitting Rock The Bells in Los Angeles, I swore off hip-hop festivals and oversized shows in general. Long days in the sun, too many people, overpriced everything and ending up watching sub-par performances on a large screen never equated to an amazing day in my eyes. Therefore, I said never again. But once this years bill started filling up I began backtracking on my words. Rage Against The Machine. Nas. Wu. The Roots. David Banner. EPMD. DOOM. Motherfucking Murs and UGK on the same bill!!! Man, I had to go.
I had to, but I would damned if I was gonna pay. After pressing hard for over two months, I got the official nod two days before the event and was set up with a photo pass (peace and props Alexandra, you are the shit). The adrenaline started pumping, and I started to reach the same excitement I had in 1997 when Rage and Wu were touring the first time, which then ended in heartbreak as WU dropped off the tour. That same excitement stalled out when it was announced that Nas, UGK and David Banner weren’t going to be there, and that two days earlier a phony DOOM was caught lip syncing to a San Francisco crowd and thus canceled his show the next day. The thought pass my mind…but nah, I had to go.
After getting off the train I was met by a snaking line of backpacks over a mile long, maybe two. Convinced there was an easier way, I walked the perimeter of the parking lot, as I listened to EPMD rip classic after classic. By the time I finally made it in I was presented with the option of either Sage Francis on the small stage or Kweli on the main…I chose neither and walked around and marveled at people that were already sitting on the concrete with their heads in their laps. The first performance I caught was Bay Area locals Zion I, who never disappoint and once again did their thing as they warmed things up for Murs. Joined by his girlfriend, Murs took stage with his girl taking DJ responsibilities (press play/stop duties). She didn’t look too thrilled, but the 500 people standing in front of him did. He ran through a set mostly filled with joints off his albums with 9th Wonder, with the occasional surprise. The performance was okay, but his shit-talking in between songs made my day. Mos Def was playing at the same time, so I peeled away for a second, but I wasn’t trying to hear “Umi Says” so I bounced back to the entertaining performance. Murs For President, F’Real.
The Roots were up next on the main stage, and as always, they were amazing. I don’t think I’ll ever get tired of seeing them because they flip it every time. Joined by a horn section, including a tuba, the group got it started with the two hottest joints off Game Theory, “Game Theory” and “Don’t Feel Right” (Video Clip). The whole crew was dialed in, putting out great music and, better yet, putting on a great show. Unfortunately, The Coup was playing at the same time, which is a prime example of why I hate shows like this. There is no doubt in mind they were dope though, and if you haven’t listened to Genocide and Juice lately, DO IT!
Public Enemy followed, and brought things to a boil. Chuck came out with so much energy you couldn’t help but get pumped. He covered the whole stage, throwing the microphone in the air and running to catch it, jumping up and down and throwing punches. Rappers take note. Straight up and down, Chuck killed it. Flav joined him on stage after a couple of songs to a thunderous roar. Anthrax guitarist and PE collaborator Scott Ian joined for “Bring The Noise” and continued to shred for the rest of the show (I’ve always wanted to, but never had a real reason to say that until now). Everything about the performance was great, and was probably the highlight of the day for me.
Cypress Hill followed as I sought shade and a break from standing. During this time I saw a kid reading Harry Potter, and a kid with his head and arms tucked in his shirt smoking weed. Yes, my friends, Hip-hop was in the motherfucking billin!
Somewhere around this time I linked up with my folks from Quannum and chopped it up with Blackalicous for a minute. We talked about their upcoming projects, solo and group albums, so keep an eye out for those. At that time your boy got laced up with an artist badge, which took me from the stampede to the relaxed confines of backstage. Upon arrival all of the artists on the bill were lining up for a “Great Day In Harlem” type picture. I wasn’t able to catch the final shot, but know that shit’ll be dope.
Wu took the stage around 7:00, and standing directly next to Chuck D (brag on it!) I watched the show from the back. It sounds dope, but a part of me wishes I could have seen it from a frontal perspective. What did fuck my head up though was looking out, and seeing some 60,000 people, 1/3 with their hands up moving as one. That shit is insane, and I can only imagine what it does to an artist. As a group they played all the classics, but the clincher for me was “Fish.” In the end, they put on a stellar performance. It was great to see them all up there together, and was definitely something I will remember.
The show could have ended there and I would have been a happy man, but for the majority of the people there it was just the beginning.
Rage took stage, and people went ape shit. Kids were running from every angle, make shift mosh pits broke out, and dudes rattled the gated beer-garden fence as if it wasn’t their choice to be behind them. Crazy. There wasn’t much of an introduction, as pretty much the lights when out, and Rage came out and fucking rocked shit for 80 minutes. Time apparently hadn’t spoiled the groups chemistry, and while I didn’t catch it personally, the show came to an end with a group hug which gives hope to a new album….
As I headed back the train, I got a laugh at the hundred or so people in line to purchase tickets. I scoffed how they were so quick to fall in the sheepish line as if they didn’t hear or already forgot Rage’s message. I soon learned the joke was on me as we were greeted by a line of police upon arriving at the main transfer station. It was the last straw of irony that was needed to bring the day to an end.
Lastly, enough props can’t be given to the whole Guerrilla Union crew for putting on another great show. You guys out did yourselves for real. Can’t imagine how they will beat this year’s lineup, but I’m confident they will find a way. I’m still in awe of what they’ve accomplished year in and year out.
Photos from Rock The Bells 2007 San Francisco.
Wondering where Part 1 comes from? More Photos?
You didn’t miss it. We just never really had a chance to post the writeup for the NYC performances that were attended by TSS Crew members Drew Ricketts, Ian M. & Jesse H.
So if you want to see an interesting convo that was held afterwards, feel free to check an unedited Consider The Bells Rocked Part 1- Rock The Bells NYC. Also, peep the TSS Flickr Photo Set for Rock The Bells NYC.
VOTE TSS for the Best Hip-Hop Blog and Best Music Blog. Voting ends August 31; winners are announced on September 5.


Wish I could’ve gone. Nice Review though.
Seems like Chuck D hasn’t lost a step! Hip-Hop aint dead, its living with Chuck D!!
DOOM is fucking up. Word is from the Stones Throw Message Boards is that he’s recorded 6 songs recently for Madvillain 2
Glad it was dope. Nice review!
Why.
Didn’t.
They.
Come.
To.
Toronto.
still pissed.
Good review tho.
man i would pay any amount of money to see all of wu on stage
bring da mothafuckin’ ruckus!!!
show was dope. what bugged me though was chuck d was tossing the mic back and forth in his hands.. looked lame. and dude came out in gym shorts lookin like he came from a pick up game
I was there too…my favorite performances were (in order)
1. Wu-Tang
2. Murs
The rest of the acts weren’t that impressive to me
I missed The Roots and Pharoahe Monch which are two of the performers I wanted to see also, but I was so disappointed that Nas, UGK, Rakim, and MF DOOM didn’t perform that didn’t really check for the other acts that hard.
After watching Jean Grae perform on Talib’s set, I must admit she is a MONSTER on the microphone. It’s not like I didn’t know this, but i was reminded thoroughly when she spit a capella in front of thousands of people without flinching.
Overall it was a great show, because of the atmosphere of the event, that I will be attending next year regardless of the line-up.
I was there, all the way from STL with the lovely Camille, her girl Jaweer, and my boy A-Bex.
We got there at 11:30 but didn’t get in until 1 because my passes had my last name accidentally spelled wrong so they kept telling me I didn’t have any tickets waiting for me. THAT was lame, but we had caught Pharoahe at Amoeba in Berkeley the day before (word to watching one of the all-time greats perform from six feet away), so I wasn’t trippin. (By the way, Pharoahe’s show is KILLER these days. Live band, two backup singers, DJ: it was funny, dope, and raw.)
EPMD was pretty excellent. I was impressed. E has some stage game.
Kweli was cool, but not mindblowing. Mos definitely stole the Blackstar portion of the show. (At one point the big lighting rigs were swaying in the wind, and he looked legimitately frightened and ran off the stage. He kept repeating “wobblewobbleshakeshake” and it was hilarious.) That dude can SING, and his presence is remarkable–he seems like one of those dudes who is probably good at pretty much anything he tries to do.
Then we caught the COUP, who was actually the group I was most excited to see. They didn’t disappoint. The band was RAW. Boots was a freakin rockstar out there. The backup singer had pipes and all SORTS of energy. And I finally got to see Pam the Funkstress scratch with her titty live. Wish I could have gotten more than 2 joints off Steal This Album (and the second verse from “Me and Jesus the Pimp…”), but hey. They killed it. We missed the Roots to see em, but I’ve seen them rock like 9 times. I’ll live.
During PE, we kinda walked around and got some food. It was a LOOOONG day. They sounded pretty sweet though.
I was literally lying down during the Cypress Hill performance. Like I said, long day.
BUT I was back up for Wu-Tang. Aaaand they were all right. They seemed a little disinterested, except for Meth, who did his damnedest to make it a party. The thing about a Wu-Tang performance is, though, even if they are rapping in their sleep onstage, its still fun because the songs are SO damn good.
We left before Rage and got some AMAZING sushi.
**Was it just me or did it seem like the crowd was mostly kids who worship Rage, think the Roots are pretty cool, and have a friend who is into Wu-Tang? I never how to feel when the entertainers onstage is Black and damn near everyone spending their money to be entertained isn’t. That crowd wasn’t more than 4% African-American. If that. I understand why and how it’s happened, but what does it mean in the long run, and what is to be done about it? I have no clue. It is what it is. Sigh.
Great point K1ng. Jean Grae did MURDER her appearance in Kweli’s set.
@Trackstar the DJ
“Was it just me or did it seem like the crowd was mostly kids who worship Rage, think the Roots are pretty cool, and have a friend who is into Wu-Tang?”
I feel what you’re saying. But to me, it isn’t as much about that, as it is that RTB is just too trendy right now with those who want to make it seem as if they’re some true “Hip-Hop Heads.” I mean, take a look around MySpace. All you see is people hyping it up about the show, but if you really dig into them, they really have no clue about what the culture is about.
And to me that’s the saddest part because you have this great lineup that creates quality Hip-Hop. But you don’t have the people who really know how much they should be appreciating it – especially right now. A good majority goes to RTB just to say that they went. And that’s the saddest truth right there.
how no mention of Hiero? They killed it! And what was fuckin wild was feelin the ground shake when Rage was on and all 60,000 motherfuckers were jumpin up and down.
i had to work while it was going on but i did hitup the after party that went till 4am
I loved the Randall’s Island show, peep my coverage on my blog http://www.gulliest.wordpress.com
@Tashdenn
Its too hard to go from one stage to the next when theres 60,000 people at a show. If you were watching Hiero, you must have watched Wu-Tang on the screen since their performances overlapped. When you live in The Bay, you see Hiero too much, just how NY probably sees Wu-Tang too much. I left my Hiero Jeans at home. http://www.hierojeans.com
TSS fantasy football:
play on = nfl.com
league name = The Smoking Section
live draft = Aug 29th @ 10pm EST
hit me up on myspace 4 the password @
myspace.com/witebeats
or email me @
highguy813@yahoo.com
Former NBA star Latrell Sprewell had his yacht repossessed by the bank holding the loan on the 70-foot, $1.5 million vessel, the Milwaukee Journal-Sentinel reported Wednesday.
According to the report, a U.S. Marshal armed with an order from U.S. Magistrate Judge William E. Callahan Jr., seized the yacht, the “Milwaukee’s Best,” in Manitowoc, Wisc., about 80 miles north of Milwaukee on the shore of Lake Michigan.
The bank has claimed in federal court that the owner, LSF Marine Holdings, a company run by Sprewell, has failed to make monthly payments of $10,322 in a timely fashion and has not maintained the necessary insurance on the vessel, according to the report.
The bank wants the “Milwaukee’s Best” sold to pay off the $1.3 million it says is remaining on the loan, according to the Journal-Sentinel.
The newspaper said it could not reach Sprewell for comment.
Sprewell last played in the NBA in 2004-05 with the Minnesota Timberwolves. He famously turned down that team’s three-year, $21 million contract offer, telling a reporter for the Star Tribune of Minneapolis: “They’re not doing anything for me. I’m at risk. I have a lot of risk here. I got my family to feed. Anything could happen.”
Sprewell, a swingman, played 13 seasons in the NBA for the Golden State Warriors, New York Knicks and Timberwolves, averaging 18.3 points per game.
Man I had a blast. I must admit that I bought my ticket solely on the fact that Rage was there, but I was pumped none the less to check out the other acts. And yes, Rage has not skipped a beat, they fucking killed it. Freedom during the encore was a whole other level.
I wish I could have seen your point of view though. I was pretty close to the stage, midway between the stage and the middle screen for the people way in the back. For all I knew there was nobody behind that furthest screen, but it must have been a sight to behold.
Did you get your artist pass in time to join the smoke session during the Cypress Hill set?
Madlib – Beat Konducta Vol. 3-4 commercial:
http://hhkcn6rs87glumqiaek8c.usercash.com
oh damn fantasy football!!….
peace to hairy potter. nice review
that joc leaked
You guys are kind of getting me hyped about FF.
I don’t know though.
What to do. What to do.
video clip of phonte talking about meeting Wayne
http://somethinglikearapper.wordpress.com/2007/08/23/graduation-party-continue-ron-burgndy-little-brother/
An I leaked a new song…
Wonder why the clip cut off? I was into what he was saying. Or was that the gist of it all (the point – that Wayne has love for LB)?
And 50 and ‘Ye were on the same stage last night.
*SMH*
Not A flowist, with different attitude but a lyricist !
That’s ipop biatch!! thx TSS
peace y’all
brand new:
ARTiST Clinton Sparks & Talib Kweli
ALBUM Get Familiar
01 . Talib Kweli – Intro (Produced By Clinton Sparks) [ 01:20 ]
02 . Talib Kweli – Go With Us (Feat. Strong Arm Steady) [ 03:54 ]
03 . Talib Kweli – Man On Fire (Produced By Clinton Sparks) [ 02:54 ]
04 . Talib Kweli – The Level (Feat. Styles P) [ 03:21 ]
05 . Clinton Sparks – Interlude [ 00:53 ]
06 . Talib Kweli – Bobby James 2007 [ 03:13 ]
07 . Talib Kweli – Young Fresh & Clean [ 02:51 ]
08 . Talib Kweli – The Ones (Feat. Jean Grae) [ 03:06 ]
09 . Clinton Sparks – Interlude 2 [ 00:34 ]
10 . Talib Kweli – Lie A Lot [ 03:48 ]
11 . Clinton Sparks – Buy You A Drank (Stumbles Mix) [ 03:39 ]
(Feat. Talib Kweli)
12 . Clinton Sparks – Interlude 3 [ 00:35 ]
13 . Strong Arm Steady – One Step (Feat. Talib Kweli) [ 06:01 ]
14 . Hi Tek – Let It Go (Feat. Dion & Talib Kweli) [ 03:37 ]
15 . Clinton Sparks – Interlude 4 [ 00:31 ]
16 . Talib Kweli – My All [ 03:02 ]
17 . Clinton Sparks – Interlude 5 [ 00:25 ]
18 . Talib Kweli – Bossin Up [ 01:57 ]
19 . Talib Kweli – Outro (Produced By Clinton Sparks) [ 01:44 ]
20 . Talib Kweli – Kweli Says Go [ 01:16 ]
21 . Clinton Sparks – Get Familiar [ 00:57 ]
PLAYTiME 49:38 min
SiZE 65.2 mb
http://hhq9hac4pymt1rq7qa6x.usercash.com
KANYE WEST – PRELUDE TO THE GRADUATION pres. by RED DEVIL (2007) [BOOTLEG]
1. Red devil – intro
2. Bittersweet ft. john mayer
3. Because of you (remix) ft. ne-yo
4. Buy you a drank (remix) ft. t-pain
5. Interlude 1
6. Throw some ds (remix)
7. Can’t tell me nothing (remix) ft. young jeezy
8. Interlude 2
9. Stay up ft. keyz & malik yusef
10. In the mood ft. talib kweli
11. Pro nails ft. kid sister
12. Young folks
13. Interlude 3
14. Us placers ft. lupe fiasco & pharrell
15. I know (ooh) ft. stat quo
16. Stat quo – interlude
17. Stronger
18. Champion
19. Finer things ft. cyssero & ne-yo
20. Noe – interlude
21. Everything i got ft. john legend & termanology
22. Heard em say – nothing last forever ft. maroon 5
23. The good the bad the ugly ft. consequence
24. Like this ft. fabolous & clue
25. Self conscious (all falls down) (og version) ft. lauryn hill
26. Southside ft. common
27. School spirit
28. Home ft. john legend
29. Big brother
30. Barry bonds ft. lil wayne
31. Red devil – outro
http://hhvckcdhrkjt9tmon0ksl.usercash.com
The Nervous Mixtape Ghetto Classics -Mixed By DJ Mister Cee 1995
This dropped back in the summer of ’95
1 Intro
2 Black Moon / Smif-N-Wessun Headz Ain’t Ready (Beatminerz Remix)
Producer – Da Beatminerz
3 Strickly Roots Brothers Die’n Everyday
Producer – DJ Fashion
4 Funkmaster Flex & The Ghetto Celebs Nuttin’ But Flavor
Producer – Funkmaster Flex
Rap – Biz Markie , Charlie Brown , Ol’ Dirty Bastard
5 Mad Lion Own Destiny
Producer – KRS-One
6 Lady Apache Rock And Comeen (Night Time Remix)
Producer – Evil Dee
7 Smif-N-Wessun Sound Bwoy Bureill (Re-Edit / Remix)
Producer – Mr. Walt
8 Broadway Enjoy Yourself
Producer – Diamond D
9 Mad Lion Double Trouble
Producer – KRS-One
Vocals [Additional] – Brenda K. Starr
10 Rusty Killa Productions Reality Check
Co-producer – Kenny Dope*
Producer – Shazam X
11 Broadway Must Stay Paid
Producer – KRS-One
12 Smif-N-Wessun Wrekonize (Remix)
Producer – Steele (2)
13 Funkmaster Flex & The Ghetto Celebs Safe Sex, No Freaks
Producer – Funkmaster Flex
Rap – Mad Lion , Rayvon , Ricksta
14 Mad Lion Real Ting (KRS-One Remix)
Producer – KRS-One
15 Smif-N-Wessun Wontime
Producer – Mr. Walt , Rich Blak
16 Mad Lion Double Trouble (Third World Mix)
Producer – KRS-One
Rap [Featuring] – KRS-One
17 Smif-N-Wessun Strand Strong
Producer – Evil Dee
18 Crooklyn Clan Funky Relaxation (Dubtown Mix)
Producer – DJ Riz , DJ Sizzahandz
http://hhb3fuv4mz7af8tn3g.usercash.com
TRAGEDY KHADAFI – STILL REPORTIN
http://hhyi6sc2r577mkdwb9cy5.usercash.com
Halloween OST
01 Soundtrack Dialogue – these are the eyes [00:40]
02 Tyler Bates – halloween 2007 [03:06]
03 Soundtrack Dialogue – is the boogieman real? [00:04]
04 Blue Oyster Cult – (don’t fear) the reaper [05:08]
05 Soundtrack Dialogue – are you saying michael did this? [00:17]
06 Nazareth – love hurts [03:52]
07 Soundtrack Dialogue – i hope she likes cripples [00:14]
08 Peter Frampton – baby, i love your way (live) [04:51]
09 Soundtrack Dialogue – a taco deluxe supreme [00:14]
10 Rush – tom sawyer [04:33]
11 Soundtrack Dialogue – driven by pure animal instinct [00:10]
12 Bachman-Turner Overdrive – let it ride [04:23]
13 Soundtrack Dialogue – trick or treat, baby [00:07]
14 Kiss – god of thunder [04:14]
15 Soundtrack Dialogue – satan’s mother [00:12]
16 Iggy Pop – 1969 [02:45]
17 Soundtrack Dialogue – talking about the anti-christ [00:06]
18 Alice Cooper – only women bleed [05:46]
19 Soundtrack Dialogue – needs to get laid [00:11]
20 The Misfits – halloween ii [02:12]
21 Soundtrack Dialogue – was that the boogieman? [00:08]
22 Tyler Bates – the shape stalks laurie [03:51]
23 Soundtrack Dialogue – the scream [00:13]
24 Nan Vernon – the sandman [03:28]
http://hhiy38pdltko2n34zdc6.usercash.com
The Day, when you will leave
Oxmo Puccino feat K-Reen
Listennn, love song, but it’s hiphop not rnb
http://www.megaupload.com/fr/?d=HX6JTXAG
just one song here!
on tha classic album “Opera Puccino”
it’s like Illmatic, for the statut !
Rap, storytelling, Flow, lyricism …
Best Rapper Alive !
Peace y’all
“Trop de femme et d’homme s’imagine love à la vie, pauvre l’avis que je donne, prouve le sans le “mais” !” !!
“l’amour c’est faussement beau et même moche” !
“ce doute sur nous deux nous assassine, comme ce jour où tu partiras”.
I drove 18 hours from vancouver for this show and it was the greatest show i’ve ever seen. Pharoahe Monch filmed the video for desire which was and amazing performance. his whole set was nuts. Mos Def killed it. So did kweli. EPMD where crazy. i only wished redman had come out for the headbangers as he did for da rockwilda. but when Eric Sermon spit that acapella my jaw straight dropped. Public Enemy was sooooo fuckin hype it was nuts. and cypress hill didn’t even come close to letting me down. they came out with a 20 foot smoking buddah for fucks sake. and the wu was something else. the whole damn clan was in the house. i almost shed a single tear. and then Rage came out and set that shit on fire. people where climbing all over the massive speakers. mosh pits where everywhere. and the best part about it is that couldn’t of sounded any better. you could hear every word that came outta zach’s mouth. as for the roots they where good but i’ve seen them do soo much better in the past. all in all it was the best show i’ve ever seen
For anyone that says RTB has become too trendy you are a straigh FOOOOOOOOOOL plain and simple
Anyone that thinks that RTB has become too trendy is a straight FOOL plain and simple. Or maybe just too broke too afford the ticket.
sorry for the repeat but thats the truth this show was Hip Hop forget that 50 & Kanye bullshit in NY thats for children
@grizz. damn homie, that’s some crazy shit…18 hours. i can’t lie i’ve been spoiled growing up and seeing the folks i have. thanks for the reality check for real.